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Contents (117)
  1. Jailbird
  2. Caro Savage
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Chapter 80
  83. Chapter 81
  84. Chapter 82
  85. Chapter 83
  86. Chapter 84
  87. Chapter 85
  88. Chapter 86
  89. Chapter 87
  90. Chapter 88
  91. Chapter 89
  92. Chapter 90
  93. Chapter 91
  94. Chapter 92
  95. Chapter 93
  96. Chapter 94
  97. Chapter 95
  98. Chapter 96
  99. Chapter 97
  100. Chapter 98
  101. Chapter 99
  102. Chapter 100
  103. Chapter 101
  104. Chapter 102
  105. Chapter 103
  106. Chapter 104
  107. Chapter 105
  108. Chapter 106
  109. Chapter 107
  110. Chapter 108
  111. Chapter 109
  112. Chapter 110
  113. Chapter 111
  114. Acknowledgments
  115. More from Caro Savage
  116. About the Author
  117. About Boldwood Books

But Seema was staring up at Bailey with an expression of wonderment verging on awe. ‘You know she’s right,’ she murmured. ‘Jean-Claude’s character is called Gibson Rickenbacker. Gibson is a type of guitar and so is Rickenbacker. And the baddie’s called Fender. Another guitar!’

Seema shook her head in stupefaction.

‘Guitars! Fuck me! All these times I’ve watched it and I’ve never noticed. Man that totally blows my mind. What do you think, Mel?’

Mel had been sitting there vacantly, her eyes half-closed and her mouth half-open, taking a pull from a spliff every so often, a long head of ash building up at the end. She didn’t seem to have heard Seema.

Seema whacked her on the upper arm to get her attention. ‘Mel, I asked you a question.’

Mel blinked and looked around at them as if for the first time. The head of ash fell off the spliff into her lap. She didn’t seem to notice.

‘Uhh… yeah… rich tea biscuits… yeah.’

Kay screwed up her face in disgust. ‘Mel, get with the picture! We had the biscuit conversation over twenty minutes ago.’

Mel looked confused. With a faint sense of dismay, Bailey could see that extracting any kind of useful information from this inmate would require an effort of the first order. And that was if she actually even had anything useful to say, which Bailey was beginning to seriously doubt from looking at her. Either way, she judged that now wasn’t the time or the place to start grilling her. Still, at least she knew what she looked like and where she hung out.

Mel turned to face her. Bailey looked down and realised that Mel was holding out the spliff.

‘Don’t give her our weed!’ said Kay. ‘The only reason she butted in just now was so she could weasel a smoke out of us. We don’t even know her name.’

Bailey held up a hand to refuse the spliff. It was a good excuse to avoid having to smoke any. As an undercover police officer, she was technically forbidden from taking drugs, although sometimes situations arose when it was difficult not to participate without appearing suspicious.

Evaluating the situation, she saw an opportunity to provide an excuse for her intrusion and also hopefully gain some understanding of how the drugs were distributed in this place.

‘My name’s Bailey. I just happened to be passing by and I smelt your gear. If you’d just be nice enough to tell me where I could buy some, I’ll get out of your hair.’

Seema looked her up and down, then conceded, ‘Keisha. She stands on the third floor at the end of C-Wing. She’ll sort you out.’

Chapter 17

‘Spyros!’

Bailey jerked awake, breathing hard, soaked in sweat, sheets tangled around her, repeating the name over and over.

The grey light of pre-dawn filtered through the small cell window. She guessed it was about 4 a.m., but in here she couldn’t get up and watch TV to distract herself from the bad dreams like she could at home.