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Contents (117)
  1. Jailbird
  2. Caro Savage
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. Chapter 12
  15. Chapter 13
  16. Chapter 14
  17. Chapter 15
  18. Chapter 16
  19. Chapter 17
  20. Chapter 18
  21. Chapter 19
  22. Chapter 20
  23. Chapter 21
  24. Chapter 22
  25. Chapter 23
  26. Chapter 24
  27. Chapter 25
  28. Chapter 26
  29. Chapter 27
  30. Chapter 28
  31. Chapter 29
  32. Chapter 30
  33. Chapter 31
  34. Chapter 32
  35. Chapter 33
  36. Chapter 34
  37. Chapter 35
  38. Chapter 36
  39. Chapter 37
  40. Chapter 38
  41. Chapter 39
  42. Chapter 40
  43. Chapter 41
  44. Chapter 42
  45. Chapter 43
  46. Chapter 44
  47. Chapter 45
  48. Chapter 46
  49. Chapter 47
  50. Chapter 48
  51. Chapter 49
  52. Chapter 50
  53. Chapter 51
  54. Chapter 52
  55. Chapter 53
  56. Chapter 54
  57. Chapter 55
  58. Chapter 56
  59. Chapter 57
  60. Chapter 58
  61. Chapter 59
  62. Chapter 60
  63. Chapter 61
  64. Chapter 62
  65. Chapter 63
  66. Chapter 64
  67. Chapter 65
  68. Chapter 66
  69. Chapter 67
  70. Chapter 68
  71. Chapter 69
  72. Chapter 70
  73. Chapter 71
  74. Chapter 72
  75. Chapter 73
  76. Chapter 74
  77. Chapter 75
  78. Chapter 76
  79. Chapter 77
  80. Chapter 78
  81. Chapter 79
  82. Chapter 80
  83. Chapter 81
  84. Chapter 82
  85. Chapter 83
  86. Chapter 84
  87. Chapter 85
  88. Chapter 86
  89. Chapter 87
  90. Chapter 88
  91. Chapter 89
  92. Chapter 90
  93. Chapter 91
  94. Chapter 92
  95. Chapter 93
  96. Chapter 94
  97. Chapter 95
  98. Chapter 96
  99. Chapter 97
  100. Chapter 98
  101. Chapter 99
  102. Chapter 100
  103. Chapter 101
  104. Chapter 102
  105. Chapter 103
  106. Chapter 104
  107. Chapter 105
  108. Chapter 106
  109. Chapter 107
  110. Chapter 108
  111. Chapter 109
  112. Chapter 110
  113. Chapter 111
  114. Acknowledgments
  115. More from Caro Savage
  116. About the Author
  117. About Boldwood Books

‘Do you have a cover story you can use?’

She nodded. She knew the drill. Her cover story was her responsibility. Quite often, there was never any need to resort to it, as a lot of people just weren’t that concerned with hearing about your life. But then, other times, when infiltrating a criminal organisation, you encountered those who wanted to know every conceivable detail about you. So it was always best to have a solid background explanation to hand. ‘What about my exit from the prison when the operation’s over?’ she asked.

‘We’ll find a reason to have you “transferred” to another prison, so it’ll seem realistic when you suddenly have to leave. No one will ever need to know that you were a police officer.’

She nodded in approval.

‘We’ve done our best to keep it out of the news that Alice was an undercover police officer,’ he said. ‘To all intents and purposes, she was just an inmate who got murdered. That’s not to say that someone, somewhere in the prison, might have been aware of her true identity, which could be the reason she got killed. Either way, this time we don’t want to take any chances. So, to keep security really tight, I’ll be working directly as your handler. No one in the prison, not even the Governor, will know who you are. We can’t risk any kind of leak, especially considering that you’ll have no backup whatsoever.’

Part of what she liked about undercover work was not having someone looking over your shoulder, telling you what to do all the time. She liked the freedom of working on her own. Conversely, it meant that there was often no one to fall back on if things took a turn for the worse. You had to rely on your initiative and be able to think on your feet, and that could be scary, but it could also be exhilarating.

‘How will I contact you?’ she asked.

‘I’ll give you a number that you can call me on. It’ll be routed through to the switchboard here. Once you get through to Rita, she’ll put you through to me.’

In a soundproofed room off to one side of the office was the switchboard, operated by a civilian police worker called Rita. A former flight attendant from Essex who was now in her early fifties, she sounded like a generic secretary with her nasal sing-song voice and her brisk efficient tone. But her role was crucial, for the switchboard was the primary point of contact for all the different undercover police officers who were operating at any given time. When a call came through, Rita would answer with the name of whatever false company or organisation had been set up to provide a cover for that particular officer.

‘Is that how it worked with Alice?’

‘That’s how it was supposed to work with Alice. But, being Alice, she managed to get hold of a mobile phone, even though they’re illegal inside.’