Chapters (46)
- Cover
- Dedication
- Epigraph
- PrologueAn Interview
- NowA Discovery
- ThenBlack Star Sapphire
- NowThe Girl with the Two-Coloured Eye
- ThenHuman Asset
- NowThe Two Tunnels
- ThenThe Plague Pit
- NowThe Backwards House
- ThenThe Forgotten Things
- NowThe Woman in the Room
- ThenA Quarrel
- NowThe Excursion
- ThenProvocations
- NowFurther Warnings
- ThenEavesdropping
- NowPersistence
- ThenConcealment
- NowThe Robin
- ThenStartling Intelligence
- NowThe Visit
- ThenA Meeting
- NowAn Assault
- ThenApril Fool
- NowAn Ambush
- ThenThe Handkerchief Tree
- NowThe Doors With No Knobs
- ThenA Misadventure
- NowA Misdemeanour
- ThenThe Studio
- NowFurther Intelligence
- ThenThe Spin Out
- NowIllegal Entry
- ThenThe Memory Box
- NowThe Choice
- ThenThe Drowning Place
- NowThorpe Hall
- NowThe Miniature
- NowThe Present
- Acknowledgements
- For Those Affected by the Issues in This Novel
- About the Author
- Also by Claire Kendal
- About the Publisher
‘After I’ve spent a little time with you.’ I bend to kiss my grandmother’s cheek. She is wearing the lilac nightdress and matching bed jacket that I asked Katarina to put under the tree for her. Katarina has arranged the pillows so that my grandmother is sitting up.
I move a slippery vinyl chair closer to the bed. I lift one of her hands. The skin is loose, and so thin it tears when she bruises. The surface is a jungle of liver spots and protruding green veins. Her fingers are bent as the gnarled branches of a weathered tree. ‘Happy Christmas, Grandma.’
‘Is it Christmas?’
‘Yes.’
‘Is that why you’re wearing that ridiculous red hat?’
‘Yes. Katarina gave it to me. There’s going to be a lovely party downstairs. Will you let me help you dress? We can go together.’
‘I had a feeling something was happening today.’ She grimaces.
‘It’s also my birthday, Grandma.’
‘How old are you then?’
‘Twenty-seven.’
‘Have you seen my Christmas present?’
‘You’re wearing it. It’s a pretty colour on you.’
She examines her sleeve as if it were covered in bird poo. ‘Not this.’ She stresses this to make her disgust clear. ‘My new photograph.’
The frame sits on her bedside table, beside a plastic jug of water with a matching tumbler in an unfortunate shade of urine-yellow. Almost immediately, my grandmother blocks it from my view, lurching her upper body to the side to try to grab at the photograph with her arthritic fingers. There is a crash, and a cry. ‘Blast! Oh, oh oh!’ She is screaming in frustration.
‘It’s okay. It’s okay.’ I am out of my chair and rushing to the other side of the bed. Water has sloshed everywhere. The jug has bounced onto the linoleum floor.
‘Don’t be upset.’ I am already in her efficient wet room with its accessible shower and toilet and sink, grabbing a vinegar-smelling towel. I retrieve the frame from beneath the bed where it landed, and wrap it in the towel.
‘Is Princess Anne all right?’ my grandmother says.
I can feel my face creasing in puzzlement as I sweep the towel over the floor with a foot. I study the image inside the frame. ‘Oh my God.’
‘Don’t talk that way. You’re a heathen – you cannot be my granddaughter.’
‘But it really is Princess Anne.’
‘Of course it is. Kindly answer my question, please.’ My grandmother makes the words kindly and please sound like insults. ‘I asked if Princess Anne is all right.’
‘Yes.’
‘I didn’t hear you.’
Her ears are still as sharp as the wolf’s, but I repeat the word. ‘Yes.’
‘No cracks?’