Chapters (48)
- Cover
- Title
- Dedication
- Shelley
- Frank
- Lil
- Harvey
- Lil
- Frank
- Shelley
- Lil
- Frank
- Lil
- Shelley
- Harvey
- Lil
- Frank
- Harvey
- Lil
- Shelley
- Harvey
- Lil
- Shelley
- Lil
- Shelley
- Lil
- Shelley
- Lil
- Harvey
- Frank
- Shelley
- Frank
- Harvey
- Shelley
- Lil
- Shelley
- Frank
- Shelley
- Harvey
- Shelley
- Frank
- Acknowledgments
- Readers Guide
- Writing HieroglyphicsAn Essay by Jill McCorkle
- Questions for Discussion
- Also by Jill McCorkle
- About the Author
- Praise for Hieroglyphics
During the many years I lived in the Boston area, I often heard references to the Cocoanut Grove fire with the same level of shock and reverence that all catastrophic events render. Lives end; time freezes. We look for clues and meaning and can’t help but imagine the what-ifs and if-onlys. And then all those bits and pieces of life we often take for granted take on new weight and meaning. Just a couple of years ago I saw an obituary that made reference to the fire—someone who was supposed to be at the club that night in 1942 and then had a change in plans. The fire took place a year earlier than the train wreck, and quite a few of those who died in the crash were heading home to the Boston area. It was cold. It was dark. It was sudden. Loved ones were left waiting and searching through those personal items—a ring or necklace, monogram, card—that would lend information.
In the novel, two of my characters—Lil and Frank—are dealing with parents who died in these tragic events. His father was on the train going home; her mother went to the club without telling Lil and her father that was where she was going. These losses led them to each other in the beginning, and now they have a long marriage behind them. Still, there is so much they don’t know about their parents, and likewise so much their own children don’t know about them and their life together. And there is Shelley, a young mother trying to raise her sons and working as a stenographer in the courts, her shorthand and recordings of local crimes helping her blot out much of her own troubled past.
Everyone has a secret. Everyone has a memory that haunts or lingers. Everyone has the door they want to close but for whatever reason, time continues to blow it ajar. Frank has not wanted to look, and until now he has avoided going there. Lil flings hers wide open and goes in with a flashlight, determined to see and know all that she can. Shelley has locked hers multiple times, but the wind keeps rattling all that she cannot escape, while her son, Harvey, is just beginning to find his way, doing what all children do, imagining his future and along the way finding and collecting and hiding little things: matchbook covers and flattened pennies.