Back Hieroglyphics Save as PDF
Chapters (48)
  1. Cover
  2. Title
  3. Dedication
  4. Shelley
  5. Frank
  6. Lil
  7. Harvey
  8. Lil
  9. Frank
  10. Shelley
  11. Lil
  12. Frank
  13. Lil
  14. Shelley
  15. Harvey
  16. Lil
  17. Frank
  18. Harvey
  19. Lil
  20. Shelley
  21. Harvey
  22. Lil
  23. Shelley
  24. Lil
  25. Shelley
  26. Lil
  27. Shelley
  28. Lil
  29. Harvey
  30. Frank
  31. Shelley
  32. Frank
  33. Harvey
  34. Shelley
  35. Lil
  36. Shelley
  37. Frank
  38. Shelley
  39. Harvey
  40. Shelley
  41. Frank
  42. Acknowledgments
  43. Readers Guide
  44. Writing HieroglyphicsAn Essay by Jill McCorkle
  45. Questions for Discussion
  46. Also by Jill McCorkle
  47. About the Author
  48. Praise for Hieroglyphics

Perhaps the best we could have hoped for is that she had left us: that sometime in the night she had made a decision and ridden away to a brand-new life, that somewhere, perhaps in a car with someone we didn’t know, perhaps in a bed with someone we didn’t know, she was feeling heartbroken, knowing all that she would miss about my father and me. She would miss that chestnut tree at the end of our street and the Christmas decorations she had collected. She would miss going to the Embassy Theatre, where she had just seen “To Be or Not to Be,” a comedy that was not so funny when you knew that Carole Lombard had died in a plane crash just before the movie came out. That’s what she had said at the time, and that is the kind of irony she would have seized on if she had had the power to send a message from the grave, to rise up like the wilis and circle round me: “I had a premonition, Lily.”

But that afternoon, I was still clinging to the possibility that maybe she had run away from home, gone to become the great dancer she thought she was destined to be, gone to walk someone else’s stairs in a home where I would one day find her and reconcile. She was in a car, the cold wind in her face, her scarf tied around her hair; she was in a warm bed, curled on her side in the way she always slept, eyes closed, hair mussed, her heart still beating.

Shelley

Images

How can you possibly work on a grocery list while speculating about the case and still do your job? That’s probably what the judge will ask her, and she is still working on what to say: how it is like walking through a house where there are many televisions on and you tease out little threads from each, just enough to know what is going on even as you stay fixed and focused on the one in front of you. Come on down! She hears game-show applause and laughter and jingles. Then she hears: But I don’t understand. How can you carry the child of a man who was dead before you got pregnant? And then the soap opera music gets louder and louder, because it’s getting near the end of the hour and the end of the week.