Back Hieroglyphics Save as PDF
Chapters (48)
  1. Cover
  2. Title
  3. Dedication
  4. Shelley
  5. Frank
  6. Lil
  7. Harvey
  8. Lil
  9. Frank
  10. Shelley
  11. Lil
  12. Frank
  13. Lil
  14. Shelley
  15. Harvey
  16. Lil
  17. Frank
  18. Harvey
  19. Lil
  20. Shelley
  21. Harvey
  22. Lil
  23. Shelley
  24. Lil
  25. Shelley
  26. Lil
  27. Shelley
  28. Lil
  29. Harvey
  30. Frank
  31. Shelley
  32. Frank
  33. Harvey
  34. Shelley
  35. Lil
  36. Shelley
  37. Frank
  38. Shelley
  39. Harvey
  40. Shelley
  41. Frank
  42. Acknowledgments
  43. Readers Guide
  44. Writing HieroglyphicsAn Essay by Jill McCorkle
  45. Questions for Discussion
  46. Also by Jill McCorkle
  47. About the Author
  48. Praise for Hieroglyphics

When I was growing up, there was a train that passed daily not far from our house. I loved the sound of it and the whole neighborhood loved playing on the tracks. Even though we were told not to go there—admonished and threatened with the terrible things that could happen—we returned to put pennies on the tracks and watch them get flattened, waving to the conductor and the occasional man standing at the rail of the caboose. There was always someone saying how destroying a penny was against the law and we could get arrested, but that fear usually dissipated with the flat copper treasure in our pockets and the view of the many miles we could travel, crosstie by crosstie.

My dad told another train story, his childhood memory that then became laced with my own. He recalled the train crash that happened in our native county when he was an adolescent, a catastrophic event that made all the national papers, and left the survivors hospitalized and stranded far from home. He had gone, as many people had, to see the aftermath of it all, a memory that clearly haunted him. Though I knew it had happened fifteen miles away, I pictured it there just beyond our neighbor’s backyard and the pine trees where I played. The details were impossible to forget: a freak snowfall, a stalled train crossing the track, a broken warning light, World War II soldiers heading home for Christmas. There were presents strewn, a bridal veil in the limbs of a tree, survivors filling every hospital bed in much of the state. I was an adolescent myself when I heard the story for the first time, sitting on our back steps with my dad and looking over the dark yard. He was grilling steaks, our dog was waiting for a bone, and so my memory is of his story but also my own story of that time with him. I imagined the crash and I imagined my dad as a boy witnessing the site, and I committed to memory the night I sat and listened to him, glowing coals, pipe smoke, the sadness in his voice as he described the loss. I was also haunted by the details and unfathomable grief, loved ones in other places waiting for news that would proclaim someone alive or dead: a clothing tag, a scar, a particular brand and size shoe—words and numbers and objects with the power to represent a life, convey a whole story. The dry-cleaning tag that looks like nothing but becomes an intimate object, as do the watch, the lucky coin, the button that person might have fastened in place before getting on the train.