Chapters (57)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- 1 - ANACONDA FURY
- 2 - WILD PARENT
- 3 - NO GOOD DEED REMAINS UNPUNISHED
- 4 - HELLUVA CLIENT
- IN THE DETECTIVE’S ABSENCE I
- 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
- 6 - FIT FOR YOUR HOOF
- 7 - BAD BOY LAMONT??
- 8 - A VERY LATE-NIGHT CALL
- 9 - UNCOVERING HISTORY
- IN THE DETECTIVE’S ABSENCE II
- 10 - THE ROAR OF THE HOOF
- 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
- 12 - MEETING THE HAMMER IN THE TANK
- 13 - A WILD NIGHT AT THE END OF A PIER
- 14 - DREAMS OF OLDEN TIMES
- 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
- 16 - ALITO OFF GUARD
- 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
- 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
- 19 - EXUBERANT COUSIN
- 20 - TRUNK SHOW
- 21 - EVER-MORE-INQUISITIVE COUSIN
- 22 - A SCARY SIDEWALK
- 23 - VISIT A CLIENT . . . AND TALK
- 24 - FIRE IN THE NUNNERY
- 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
- 26 - AND NOW MURRAY
- 27 - IN THE FIRED HOUSE
- 28 - AND FIRE IN THE OLD HOMESTEAD
- 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
- 30 - LINE SPINNERS
- 31 - HOME IN TATTERS
- 32 - VANISHING COUSIN
- 33 - LOSING A FOLLOWER
- 34 - THE BOYS IN THE BACK ROOM
- 35 - IN THE HALL OF THE TITANS
- 36 - WHAT ON EARTH IS GOING ON?
- 37 - A BASS RIDE . . . OR WAS IT VILE?
- 38 - CONFESSION IN MYSPACE
- 39 - A DIFFERENT CAR, A NEW CRIB
- 40 - THE SHOEMAKER’S TALE
- 41 - ROUSTING AN UNCLE
- 42 - ROUGHING UP THE UNCLE
- 43 - DEATH OF NOT SUCH A GOOD GUY
- 44 - ESCAPE IN CONTAMINATED LAUNDRY
- 45 - THE GOOD BOOK . . . AND THE BAD BALL
- 46 - DISCOVERY
- 47 - A RIVER RUNS THROUGH IT
- 48 - UP AGAINST THE WALL . . . ALL OF YOU!
- 49 - GUILT ALL AROUND
- 50 - THE RATS ATTACK . . . EACH OTHER
- 51 - GABRIELLA’S VOICE RETURNED
I didn’t put up a serious fight. I was glad of the offer. I sent him on a route up past Wrigley Field, turning onto side streets until he was sure no one was following him. Finally we drove to an intersection a block north and east of my office. If the office was under surveillance, I didn’t want anyone registering Thibaut’s car in a database.
I flexed my spine and did a few neck stretches before leaning into the driver’s window to thank him. “Who’s Lily?”
“The fox terrier we had when I was a kid. When all this is over, I’ll play a concert for you. The Schulhoff concertino, to commemorate my most exciting performance since my Marlborough Festival debut.”
He squeezed my fingers where they rested on his open window. The warmth of his hand stayed with me as I slipped into the shadow of the buildings on Oakley.
38 - CONFESSION IN MYSPACE
38
CONFESSION IN MYSPACE
I DIDN’T KNOW ANY UNOBTRUSIVE WAY TO GET INTO MY office. The alley exit opens only from the inside, and the windows are twelve feet from the ground. It would have to be through the front door.
At this hour of the morning, all the trendy bars and cafés in the area are closed. The coffee shop across the street would open in a few hours, but right now its glass front gleamed black under the streetlamps like a pond.
I moved cautiously down the street, gun in hand. No one was out that I could see. But if pros were conducting surveillance, it could be done by remote camera. They wouldn’t have to be on the street.
A rat leaped from a garbage can at my approach, and I came close to screaming. I had to stop and gulp down the wave of panic that swept over me, as it ran out onto the sidewalk. Still, I couldn’t hold back a little cry. A car drove up the street and turned left onto Cortlandt. It was missing a taillight. Dornick looked like the buttoned-down type who wouldn’t let you work for him if your car was missing a light. Or would he use a car like this to make me think he wasn’t watching me?
Or he could be … Enough! The Age of Fear makes you crazy. I took a breath, crossed the street, and tapped in the new door code to my building. The lock wheezed as it always did, a loud sound in the still night, but I was tired of fear. I boldly opened the door, stopping long enough to tap each of the numbers on the pad so that anyone using a UV spray wouldn’t be able to tell which ones unlocked the door. I flicked on the lights, not caring that they would spill out onto the street and advertise my presence.