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Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

At my old home, I saw the boarded-over window that had been broken to throw in the smoke bomb. The prisms across the top were splintered, too. I concentrated instead on the decorative-glass fanlight over the front door, which was still intact.

I rang the bell. After a few minutes, when I wondered if she’d gone out, Señora Andarra opened it the length of its stubby chain. “Esta ventana,” I stumbled in my bad Spanish, pointing at the fan. “Mi madre amó esta ventana también.”

The fact that my mother also loved that window didn’t make Señora Andarra smile, but it did keep her from slamming the door in my face. Using painful pidgin Spanish interlaced with English and Italian, I tried to explain that I was a detective, that I had photographs. Could she look at them, let me know if any of the people in them had been at her house when the bomb came through the window?

The whole time I spoke, she stared at me through the crack in the door, her dark eyes frowning in her nut-colored face. When I finally stumbled to an end of my story, she took the folder from me. As I’d feared, she singled Petra out with no trouble.

“¿Su hija?” she asked.

I was tired of everyone thinking Petra was my daughter, so I dutifully explained she was my cousin. “Mi prima. ¿Y los hombres?”

I thought she lingered on the shot of Alito with Strangwell, but I couldn’t be sure. She finally shook her head, and said she didn’t know any of them, hadn’t seen any of them. I walked back to the station and waited for the northbound train to whisk me back to civilization, or whatever it was.

34 - THE BOYS IN THE BACK ROOM

34

THE BOYS IN THE BACK ROOM

ON THE TRAIN NORTH, I CALLED CONRAD RAWLINGS AT the Fourth District. Of course, I should have gone to see him before visiting Señora Andarra, but I didn’t feel I had spare time for getting police permission to talk to people in my cousin’s orbit.

Conrad was predictably annoyed, but he’d seen the news about Petra; he was more interested in finding out why she’d been at a crime scene in his bailiwick than yainching at me for not calling him first.

“Is there anyone else you can place at the crime scene that you might care to mention? Not that we cops can compel testimony. The laws keep us from getting answers to questions that might help solve crimes. But if you’re in the mood …”

I ignored the savagery in his tone. “I showed Ms. Andarra a shot of Larry Alito with Les Strangwell, but they didn’t look familiar to her.”

“Spell the names.”

I could hear him tapping at his computer.