Chapters (57)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- 1 - ANACONDA FURY
- 2 - WILD PARENT
- 3 - NO GOOD DEED REMAINS UNPUNISHED
- 4 - HELLUVA CLIENT
- IN THE DETECTIVE’S ABSENCE I
- 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
- 6 - FIT FOR YOUR HOOF
- 7 - BAD BOY LAMONT??
- 8 - A VERY LATE-NIGHT CALL
- 9 - UNCOVERING HISTORY
- IN THE DETECTIVE’S ABSENCE II
- 10 - THE ROAR OF THE HOOF
- 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
- 12 - MEETING THE HAMMER IN THE TANK
- 13 - A WILD NIGHT AT THE END OF A PIER
- 14 - DREAMS OF OLDEN TIMES
- 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
- 16 - ALITO OFF GUARD
- 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
- 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
- 19 - EXUBERANT COUSIN
- 20 - TRUNK SHOW
- 21 - EVER-MORE-INQUISITIVE COUSIN
- 22 - A SCARY SIDEWALK
- 23 - VISIT A CLIENT . . . AND TALK
- 24 - FIRE IN THE NUNNERY
- 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
- 26 - AND NOW MURRAY
- 27 - IN THE FIRED HOUSE
- 28 - AND FIRE IN THE OLD HOMESTEAD
- 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
- 30 - LINE SPINNERS
- 31 - HOME IN TATTERS
- 32 - VANISHING COUSIN
- 33 - LOSING A FOLLOWER
- 34 - THE BOYS IN THE BACK ROOM
- 35 - IN THE HALL OF THE TITANS
- 36 - WHAT ON EARTH IS GOING ON?
- 37 - A BASS RIDE . . . OR WAS IT VILE?
- 38 - CONFESSION IN MYSPACE
- 39 - A DIFFERENT CAR, A NEW CRIB
- 40 - THE SHOEMAKER’S TALE
- 41 - ROUSTING AN UNCLE
- 42 - ROUGHING UP THE UNCLE
- 43 - DEATH OF NOT SUCH A GOOD GUY
- 44 - ESCAPE IN CONTAMINATED LAUNDRY
- 45 - THE GOOD BOOK . . . AND THE BAD BALL
- 46 - DISCOVERY
- 47 - A RIVER RUNS THROUGH IT
- 48 - UP AGAINST THE WALL . . . ALL OF YOU!
- 49 - GUILT ALL AROUND
- 50 - THE RATS ATTACK . . . EACH OTHER
- 51 - GABRIELLA’S VOICE RETURNED
At my old home, I saw the boarded-over window that had been broken to throw in the smoke bomb. The prisms across the top were splintered, too. I concentrated instead on the decorative-glass fanlight over the front door, which was still intact.
I rang the bell. After a few minutes, when I wondered if she’d gone out, Señora Andarra opened it the length of its stubby chain. “Esta ventana,” I stumbled in my bad Spanish, pointing at the fan. “Mi madre amó esta ventana también.”
The fact that my mother also loved that window didn’t make Señora Andarra smile, but it did keep her from slamming the door in my face. Using painful pidgin Spanish interlaced with English and Italian, I tried to explain that I was a detective, that I had photographs. Could she look at them, let me know if any of the people in them had been at her house when the bomb came through the window?
The whole time I spoke, she stared at me through the crack in the door, her dark eyes frowning in her nut-colored face. When I finally stumbled to an end of my story, she took the folder from me. As I’d feared, she singled Petra out with no trouble.
“¿Su hija?” she asked.
I was tired of everyone thinking Petra was my daughter, so I dutifully explained she was my cousin. “Mi prima. ¿Y los hombres?”
I thought she lingered on the shot of Alito with Strangwell, but I couldn’t be sure. She finally shook her head, and said she didn’t know any of them, hadn’t seen any of them. I walked back to the station and waited for the northbound train to whisk me back to civilization, or whatever it was.
34 - THE BOYS IN THE BACK ROOM
34
THE BOYS IN THE BACK ROOM
ON THE TRAIN NORTH, I CALLED CONRAD RAWLINGS AT the Fourth District. Of course, I should have gone to see him before visiting Señora Andarra, but I didn’t feel I had spare time for getting police permission to talk to people in my cousin’s orbit.
Conrad was predictably annoyed, but he’d seen the news about Petra; he was more interested in finding out why she’d been at a crime scene in his bailiwick than yainching at me for not calling him first.
“Is there anyone else you can place at the crime scene that you might care to mention? Not that we cops can compel testimony. The laws keep us from getting answers to questions that might help solve crimes. But if you’re in the mood …”
I ignored the savagery in his tone. “I showed Ms. Andarra a shot of Larry Alito with Les Strangwell, but they didn’t look familiar to her.”
“Spell the names.”
I could hear him tapping at his computer.