Chapters (57)
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- 1 - ANACONDA FURY
- 2 - WILD PARENT
- 3 - NO GOOD DEED REMAINS UNPUNISHED
- 4 - HELLUVA CLIENT
- IN THE DETECTIVE’S ABSENCE I
- 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
- 6 - FIT FOR YOUR HOOF
- 7 - BAD BOY LAMONT??
- 8 - A VERY LATE-NIGHT CALL
- 9 - UNCOVERING HISTORY
- IN THE DETECTIVE’S ABSENCE II
- 10 - THE ROAR OF THE HOOF
- 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
- 12 - MEETING THE HAMMER IN THE TANK
- 13 - A WILD NIGHT AT THE END OF A PIER
- 14 - DREAMS OF OLDEN TIMES
- 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
- 16 - ALITO OFF GUARD
- 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
- 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
- 19 - EXUBERANT COUSIN
- 20 - TRUNK SHOW
- 21 - EVER-MORE-INQUISITIVE COUSIN
- 22 - A SCARY SIDEWALK
- 23 - VISIT A CLIENT . . . AND TALK
- 24 - FIRE IN THE NUNNERY
- 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
- 26 - AND NOW MURRAY
- 27 - IN THE FIRED HOUSE
- 28 - AND FIRE IN THE OLD HOMESTEAD
- 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
- 30 - LINE SPINNERS
- 31 - HOME IN TATTERS
- 32 - VANISHING COUSIN
- 33 - LOSING A FOLLOWER
- 34 - THE BOYS IN THE BACK ROOM
- 35 - IN THE HALL OF THE TITANS
- 36 - WHAT ON EARTH IS GOING ON?
- 37 - A BASS RIDE . . . OR WAS IT VILE?
- 38 - CONFESSION IN MYSPACE
- 39 - A DIFFERENT CAR, A NEW CRIB
- 40 - THE SHOEMAKER’S TALE
- 41 - ROUSTING AN UNCLE
- 42 - ROUGHING UP THE UNCLE
- 43 - DEATH OF NOT SUCH A GOOD GUY
- 44 - ESCAPE IN CONTAMINATED LAUNDRY
- 45 - THE GOOD BOOK . . . AND THE BAD BALL
- 46 - DISCOVERY
- 47 - A RIVER RUNS THROUGH IT
- 48 - UP AGAINST THE WALL . . . ALL OF YOU!
- 49 - GUILT ALL AROUND
- 50 - THE RATS ATTACK . . . EACH OTHER
- 51 - GABRIELLA’S VOICE RETURNED
Dornick’s situation was more complicated. He hadn’t helped kill Harmony Newsome, but everyone, including Bobby, believed Dornick had engineered the subsequent cover-up. Peter sang loud and long on that theme. Then there was Sister Frankie’s death. Detective Finchley’s team traced the Ford Expedition that the bomb throwers drove to one of Dornick’s personal crew. And Finchley was willing to believe that Dornick had shot Alito out of fear that his old buddy would crack and flip for the state if the heat got too intense.
51 - GABRIELLA’S VOICE RETURNED
51
GABRIELLA’S VOICE RETURNED
IN THE WEEKS BEFORE MISS CLAUDIA DIED, I WAS RACING the clock, hoping to find out what happened to Lamont. The day I took my aunt to Fit for Your Hoof, Curtis told me he’d persuaded Johnny to talk to me.
“He needs to get it off his chest and tell someone, and I told him he owed it to Miss Claudia. She needs to know. She loved that boy. Now, Miss Ella, if Lamont had gone on, like our physics teacher wanted, been a college professor with degrees after his name, she’d still have labeled him a failure. But Miss Claudia was pure love down to her bones. She deserves to hear, and I’ve made sure Johnny’ll tell you.”
I wanted to know how Curtis and Merton communicated. I wanted to know if secretly, after all, Curtis was a high-ranking Anaconda. But something in his face told me I’d better not push my luck.
I got Yeoman to organize an emergency visit to Stateville for me and met with Johnny in the dingy lawyers’ room one last time. I’d brought one of my photo books with me and laid it between us on the scarred deal table.
“These are the pictures Lamont took,” I said. “I guess Curtis told you I found the negatives?”
Merton nodded.
“He showed them to you the night before he disappeared, didn’t he?”
Merton nodded again, shut his eyes, took a breath: another one getting ready to jump off the high dive for me, or at least for Lamont and Miss Claudia.
“My man came to me at the Waltz Right Inn, just like Rose Hebert told you. He had a set of these prints here, and he wanted to go to that piece of shit representing Steve, show him that some white boy killed Harmony and some cop pocketed the evidence. We talked it over, him and me. We knew what went on at the Racine Avenue station. We knew the risk he was running going in there at all, but we agreed he’d better speak up. But I told him to take prints in, don’t let them have the negatives. If they destroy those, there’s nothing left.