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Chapters (57)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Acknowledgements
  5. 1 - ANACONDA FURY
  6. 2 - WILD PARENT
  7. 3 - NO GOOD DEED REMAINS UNPUNISHED
  8. 4 - HELLUVA CLIENT
  9. IN THE DETECTIVE’S ABSENCE I
  10. 5 - IT’S A BIRD . . . IT’S A PLANE ... NO! IT’S SUPERCOUSIN!
  11. 6 - FIT FOR YOUR HOOF
  12. 7 - BAD BOY LAMONT??
  13. 8 - A VERY LATE-NIGHT CALL
  14. 9 - UNCOVERING HISTORY
  15. IN THE DETECTIVE’S ABSENCE II
  16. 10 - THE ROAR OF THE HOOF
  17. 11 - NOTHING LIKE ECHÉZEAU FOR RELAXING
  18. 12 - MEETING THE HAMMER IN THE TANK
  19. 13 - A WILD NIGHT AT THE END OF A PIER
  20. 14 - DREAMS OF OLDEN TIMES
  21. 15 - OLD TRIAL . . . OR SOMETHING LIKE IT
  22. 16 - ALITO OFF GUARD
  23. 17 - THE FRIENDLY MAN FROM MOUNTAIN HAWK
  24. 18 - DUBIOUS JUDGE, FRIGHTENED WOMAN
  25. 19 - EXUBERANT COUSIN
  26. 20 - TRUNK SHOW
  27. 21 - EVER-MORE-INQUISITIVE COUSIN
  28. 22 - A SCARY SIDEWALK
  29. 23 - VISIT A CLIENT . . . AND TALK
  30. 24 - FIRE IN THE NUNNERY
  31. 25 - ALPHABET VISITORS FBI, OEM, HS, CPD
  32. 26 - AND NOW MURRAY
  33. 27 - IN THE FIRED HOUSE
  34. 28 - AND FIRE IN THE OLD HOMESTEAD
  35. 29 - ALL THOSE FRIENDLY GOVERNMENT AGENTS
  36. 30 - LINE SPINNERS
  37. 31 - HOME IN TATTERS
  38. 32 - VANISHING COUSIN
  39. 33 - LOSING A FOLLOWER
  40. 34 - THE BOYS IN THE BACK ROOM
  41. 35 - IN THE HALL OF THE TITANS
  42. 36 - WHAT ON EARTH IS GOING ON?
  43. 37 - A BASS RIDE . . . OR WAS IT VILE?
  44. 38 - CONFESSION IN MYSPACE
  45. 39 - A DIFFERENT CAR, A NEW CRIB
  46. 40 - THE SHOEMAKER’S TALE
  47. 41 - ROUSTING AN UNCLE
  48. 42 - ROUGHING UP THE UNCLE
  49. 43 - DEATH OF NOT SUCH A GOOD GUY
  50. 44 - ESCAPE IN CONTAMINATED LAUNDRY
  51. 45 - THE GOOD BOOK . . . AND THE BAD BALL
  52. 46 - DISCOVERY
  53. 47 - A RIVER RUNS THROUGH IT
  54. 48 - UP AGAINST THE WALL . . . ALL OF YOU!
  55. 49 - GUILT ALL AROUND
  56. 50 - THE RATS ATTACK . . . EACH OTHER
  57. 51 - GABRIELLA’S VOICE RETURNED

I pretended I hadn’t noticed him and got onto the drive. I didn’t bother to check for tails. If they wanted me to know, they’d reveal themselves. If they didn’t, my best strategy was not to try to flush them out now.

I pulled off at the first downtown exit, and stopped at the second hotel I came to. I turned my car over to the valet, explained I was going to a meeting and that I wasn’t a guest, and went inside.

There’s a network of underground passages that connect the hotels and high-rises on the east side of the Loop. I took the lobby escalator down, slipped behind a pillar, and knelt down. I didn’t see anyone behind me, but I still took off my Scarlett O’Hara hat and left it behind a potted palm. It just made me too damned easy to track.

I waited until a group of women all came down together, laughing and talking, and moved just in front of them so that we all seemed to be walking along the underground corridor together. They peeled off at one of the subterranean take-out joints.

I darted into a neighboring gift shop, where I bought a Cubs cap. Going up and down escalators, buying a frozen yogurt, I didn’t see the same face twice. I bought a red CHICAGO sweatshirt at another gift shop and pulled it on over my linen jacket. Although the weight of the sweatshirt on a hot day made me feel as though I were encased in a burka, I wasn’t instantly recognizable.

Still underground, I finally headed to my original destination: the Illinois Central station. There was a twenty-minute wait for the next train to South Chicago. I bought a ticket and stood near the door leading to the tracks. When they called my train, I waited until the last possible moment before sliding through the doors and down the stairs. I thought I was clean, but you never know.

The slow ride to South Chicago was like a backward journey through my life, the ride I’d taken with my mother so many times as a child, past the University of Chicago, where my mother had wanted me to study. “The best, Victoria. You need to have the best,” she would say when the train stopped there to let off students.

Ninety-first Street. End of the line. A certain desolation attached to the conductor’s announcement. Life ends here. I walked the four blocks from the station to my old home.

At least Señora Andarra’s grandson and his friends weren’t visible this morning, but a couple of helpless-looking men were sitting on a curb with a bottle in a brown paper bag. Somewhere, a car stereo was pouring out a bass so loudly that the air was vibrating from it.