Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Pentecost turned his back upon the castle and made his way through the cedars, leaving in his wake upon the glittering blotches of the dew, black imprints of feet that turned inwards. As he walked it seemed that he was moving into the earth. Each stride was a gesture, a probing. It was a kind of downward, inward search, as though he knew that what was important for him, what he really understood and cared for, was below him, beneath his slowly moving feet. It was in the earth – it was the earth.
Pentecost, with his leather cowl was not of impressive dimensions, and his walk, although filled with meaning, had nevertheless something ridiculous about it. His legs were too short in proportion to his body, but his head, ancient and lined, was nobly formed and majestic with its big-boned, wrinkled brow and straight nose.
Of flowers he had a knowledge beyond that of the botanist, or the artist, being moved by the growth rather than the fulfilment, the organic surge that found its climax in the gold or the blue rather than in the colours, the patterns or anything visible.
As the mother who would not love the child the less were its face to be mutilated, so was he with flowers. To all growing things he brought this knowledge and love, but to the apple tree he gave himself up wholly.
Upon the northern slope of a low hill that dropped gradually to a stream, his orchard trees arose clearly, each one to Pentecost a personality in its own right.
On August days Fuchsia from her window in the attic could see him far below standing at times upon a short ladder, and sometimes when the boughs were low enough, upon the grass, his long body and little legs foreshortened and his cowl over his fine head hiding his features; and diminutive as he appeared from that immense height, she could make out that he was polishing the apples into a mirror-like gloss as they hung from the boughs, bending forward to breathe upon them and then with silk cloth rubbing them until she could see the glint upon their crimson skins – even from the height of her eyrie in the shadowy loft.
Then he would move away from the tree that he had burnished and pace around it slowly, enjoying the varied grouping of its apples and the twisted stem of the supporting bole.
Pentecost spent some time in the walled-in garden, where he cut the flowers for the christening room. He moved from one part to another until he knew and could visualize the vases filled in the room and had decided upon the colour for the day.