Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Prunesquallor peered around the room in an effort to catch sight of anything that might be used. He noticed that Irma was full length on the floor, and twitching like a section of conger eel that has been chopped off but which still has ideas of its own. Her beautiful, tightly fitting skirt had become rucked up around her thighs. Her manicured nails were scratching convulsively at the floorboards. ‘Let her twitch,’ he said to himself quickly. ‘We can deal with her later, poor thing.’ Then he turned his eyes again to Fuchsia, who was by now very near the top of the bookcase and was reaching down precariously for her father’s rod with the knob of black jade.
‘Keep steady, my Fuchsia child.’
Fuchsia dimly heard the Doctor’s voice come up to her from below. For a moment everything swam before her eyes, and her right hand which gripped the slippery shelf was shaking. Slowly her eyes cleared. It was not easy for her to swing the rod with her left hand, but she drew her arm back stiffly preparatory to swinging at the window with a single rigid movement.
The Countess, leaning over the balcony, watched her as she coughed heavily, and shifting her gaze between her seismic bouts whistled through her teeth to the bird in her bosom, pulling the neck of her dress forward with a forefinger as she did so.
Sepulchrave was gazing upwards at his daughter halfway up the wall among the books that danced in the crimson light. His hands were fighting each other again, but his delicate chin was jutting forward, and there was mixed with the melancholy of his eyes not more of panic than would be considered reasonable in any normal man under similar conditions. His home of books was on fire. His life was threatened, and he stood quite still. His sensitive mind had ceased to function, for it had played so long in a world of abstract philosophies that this other world of practical and sudden action had deranged its structure. The ritual which his body had had to perform for fifty years had been no preparation for the unexpected. He watched Fuchsia with a dream-like fascination, while his locked hands fought on.
Flay and Prunesquallor stood immediately below Fuchsia, for she had been swaying above them. Now, with her arm extended and ready to strike they moved a little to the right in order to escape any glass that might fly inwards.
As Fuchsia began to swing her arm at the high window she focused her eyes upon it and found herself staring at a face – a face framed with darkness within a few feet of her own. It sweated firelight, the crimson shadows shifting across it as the flames leapt in the room below. Only the eyes repelled the lurid air. Close-set as nostrils they were not so much eyes as narrow tunnels through which the Night was pouring.