Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
The room was perhaps the most homely and at the same time the most elegant in the castle. There were no shadows lurking in the corners. The whole feeling was of quiet and pleasing distinction, and when the afternoon sun lit up the lawns beyond the bay windows into a green-gold carpet, the room with its cooler tints became a place to linger in. It was seldom used.
The Countess never entered it, preferring those parts of the castle where the lights and the shadows were on the move and where there was no such clarity. Lord Sepulchrave was known to walk up and down its length on rare occasions and to stop and stare at the cedars on the lawn as he passed the window, and then to leave the room again for a month or two until the next whim moved him.
Nannie Slagg had on a few occasions sat there, furtively knitting with her paper bag of wool on the long refectory table in the centre, and the high back of the carved chair towering over her. Around her the spaciousness of the temperate room. The tables with their vases of garden flowers, plucked by Pentecost, the head gardener. But for the most part the room was left empty week after week, saving for an hour in the morning of each day when Pentecost would arrange the flowers. Deserted as the room was, Pentecost would never permit a day to pass in which he had not changed the water in the vases and refilled them again with taste and artistry, for he had been born in the mud huts and had in his marrow the love and understanding of colour that was the hallmark of the Bright Carvers.
On the morning of the christening he had been out to cut the flowers for the room. The towers of Gormenghast rose into the morning mists and blocked away a commotion of raw cloud in the eastern sky. As he stood for a moment on the lawns he looked up at the enormous piles of masonry and could vaguely discern among the shadows the corroded carvings and broken heads of grey stone.
The lawns beneath the west wall where he stood were black with dew, but where, at the foot of one of the seven cedars, a grazing shaft of sun fell in a little pool of light, the wet grass blazed with diamonds of every colour. The dawn air was cold, and he drew more closely about him the leather cape which he wore over his head like a monk. It was strong and supple and had been stained and darkened by many storms and by the dripping of the rain from moss-gloved trees. From a cord hanging at his side hung his gardening knife.
Above Pentecost the cedars, like great charcoal drawings, suddenly began to expose their structure, the layers of flat foliage rising tier above tier, their edges ribbed with sunrise.