Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
By this time the hour was practically at hand for the gathering and from their various apartments the persons concerned were sallying forth. Each one with his or her particular stride. His or her particular eyes, nose, mouth, hair, thoughts and feelings. Self-contained, carrying their whole selves with them as they moved, as a vessel that holds its own distinctive wine, bitter or sweet. These seven closed their doors behind them, terrifyingly themselves, as they set out for the Cool Room.
There were, in the Castle, two ladies, who, though very seldom encountered, were of the Groan blood, and so, when it came to a family ceremony such as this, were of course invited. They were their ladyships Cora and Clarice, sisters-in-law to Gertrude, sisters of Sepulchrave, and twins in their own right. They lived in a set of rooms in the southern wing and shared with each other an all-absorbing passion for brooding upon an irony of fate which decreed that they should have no say in the affairs of Gormenghast. These two along with the others were on their way to the Cool Room.
Tradition playing its remorseless part had forced Swelter and Flay to return to the Cool Room to await the first arrival, but luckily someone was there before them – Sourdust, in his sacking garment. He stood behind the table, his book open before him. In front of him the bowl of water, around which the examples of Swelter’s art sat, perched on golden salvers and goblets that twinkled in the reflected sunlight.
Swelter, who had managed to conceal the welts on his face by an admixture of flour and white honey, took up his place to the left of the ancient librarian, over whom he towered as a galleon above a tooth of rock. Around his neck he also wore a ceremonial chain similar to that of Flay, who appeared a few moments later. He stalked across the room without glancing at the chef, and stood upon the other side of Sourdust, balancing from the artist’s point of view if not the rationalist’s, the components of the picture.
All was ready. The participants in the ceremony would be arriving one by one, the less important entering first, until the penultimate entrance of the Countess harbingered a necessary piece of walking furniture, Nannie Slagg, who would be carrying in her arms a shawl-full of destiny – the Future of the Blood Line. A tiny weight that was Gormenghast, a Groan of the strict lineage – Titus, the Seventy-Seventh.
‘Assemblage’
‘ASSEMBLAGE’
First to arrive was the outsider – the commoner – who through his service to the family was honoured by a certain artificial equality of status, liable at any moment to be undermined – Doctor Prunesquallor.
He entered fluttering his perfect hands, and, mincing to the table, rubbed them together at the level of his chin in a quick, animated way as his eyes travelled over the spread that lay before him.