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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

He could not know that he was nearing the window. Distance, even more than time, had ceased to have any meaning for him, but all at once he found that the leaves were thinning and that blotches of light lay pranked about him. He remembered having observed from below how the ivy had appeared to be less profuse and to lie closer to the wall as it neared the window. The hirsute branches were less dependable now and several had snapped at his weight, so that he was forced to keep to one of the main stems that clung dustily to the wall. Only a foot or two in depth, the ivy lay at his back partially shielding him from the sun. A moment later and he was alone in the sunshine. It was difficult for his fingers to find purchase. Fighting to wedge them between the clinging branches and the wall he moved, inch by inch, upwards. It seemed to him that all his life he had been climbing. All his life he had been ill and tortured. All his life he had been terrified, and red shapes rolled. Hammers were beating and the sweat poured into his eyes.

The questionable gods who had lowered for him from the roof above the prison room that branch of creeper when he was in similar peril were with him again, for as he felt upwards his hand struck a protruding layer of stone. It was the base of a rough window-sill. Steerpike sobbed and forced his body upwards and loosing his hands for a moment from the creeper, he flung his hands over the sill. There he hung, his arms outstretched stiffly before him like a wooden figure, his legs dangling. Then, wriggling feebly, he rolled himself at length over the stone slab, overbalanced, and in a whirl of blackness fell with a crash upon the boarded floor of Fuchsia’s secret attic.

‘The Body by the Window’

‘THE BODY BY THE WINDOW’

On the afternoon following her brother’s birth, Fuchsia stood silently at the window of her bedroom. She was crying, the tears following one another down her flushed cheeks as she stared through a smarting film at Gormenghast Mountain. Mrs Slagg, unable to comprehend, made abortive efforts to console her. This time there had been no mutual hugging and weeping, and Mrs Slagg’s eyes were filled with a querulous, defeated expression. She clasped her little wrinkled hands together.

‘What is it, then, my caution dear? What is it, my own ugliness? Tell me! Tell me at once. Tell your old Nannie about your little sorrows. Oh, my poor heart! you must tell me all about it. Come, inkling, come.’

But Fuchsia might as well have been carved from dark marble. Only her tears moved.

At last the old lady pattered out of the room, saying she would bring in a currant cake for her caution, that no one ever answered her, and that her back was aching.