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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

‘It’s not from you,’ said Fuchsia; ‘it’s because I want to walk and think. It isn’t going away from you. You know it isn’t.’

‘I don’t know anything,’ said Nannie Slagg, her face puckered up. ‘But I know you never went out all the summer, did you dear? And now that it is so temper-some and cold you are always going out into the nastiness and getting wet or frozen every day. Oh, my poor heart. Why? Why every day?’

Fuchsia pushed her hands into the depths of the big pockets of her red dress.

It was true she had deserted her attic for the dreary moors and the rocky tracts of country about Gormenghast. Why was this? Had she suddenly outgrown her attic that had once been all in all to her? Oh no; she had not outgrown it, but something had changed ever since that dreadful night when she saw Steerpike lying by the window in the darkness. It was no longer inviolate – secret – mysterious. It was no longer another world, but a part of the castle. Its magnetism had weakened – its silent, shadowy drama had died and she could no longer bear to revisit it. When last she had ventured up the spiral stairs and entered the musty and familiar atmosphere, Fuchsia had experienced a pang of such sharp nostalgia for what it had once been to her that she had turned from the swaying motes that filled the air and the shadowy shapes of all that she had known as her friends; the cobwebbed organ, the crazy avenue of a hundred loves – turned away, and stumbled down the dark staircase with a sense of such desolation as seemed would never lift. Her eyes grew dim as she remembered these things; her hands clenched in her deep pockets.

‘Yes,’ she said, ‘I have been out a lot. Do you get lonely? If you do, you needn’t, because you know I love you, don’t you? You know that, don’t you?

She thrust her lower lip forward and frowned at Mrs Slagg, but this was only to keep her tears back, for nowadays Fuchsia had so lonely a feeling that tears were never far distant. Never having had either positive cruelty or kindness shown to her by her parents, but only an indifference, she was not conscious of what it was that she missed – affection.

It had always been so and she had compensated herself by weaving stories of her own Future, or by lavishing her own love upon such things as the objects in her attics, or more recently upon what she found or saw among the woods and waste lands.

‘You know that, don’t you?’ Fuchsia repeated.

Nannie rocked Titus more vigorously than was necessary and by the pursing of her lips indicated that his Lordship was asleep and that she was speaking too loudly.