Chapters (50)
- ABOUT THE BOOK
- ABOUT THE AUTHOR
- TITLE PAGE
- INTRODUCTION
- A NOTE ON THE ILLUSTRATIONS
- TITUS GROAN
- The Hall of the Bright Carvings
- The Great Kitchen
- Swelter
- The Stone Lanes
- ‘The Spy-Hole’
- Fuchsia
- ‘Tallow and Birdseed’
- A Gold Ring for Titus
- Sepulchrave
- Prunesquallor’s Knee-Cap
- The Attic
- The Frivolous Cake
- ‘Mrs Slagg By Moonlight’
- Keda
- ‘First Blood’
- ‘Assemblage’
- ‘Titus is Christened’
- Means of Escape
- ‘A Field of Flagstones’
- ‘Over the Roofscape’
- ‘Near and Far’
- ‘Dust and Ivy’
- ‘The Body by the Window’
- ‘Ullage of Sunflower’
- Soap for Greasepaint
- At the Prunesquallors
- A Gift of the Gab
- While the Old Nurse Dozes
- Flay Brings a Message
- The Library
- In a Lime-Green Light
- Reintroducing the Twins
- ‘The Fir-Cones’
- Keda and Rantel
- The Room of Roots
- ‘Inklings of Glory’
- ‘Preparations for Arson’
- The Grotto
- Knives in the Moon
- ‘The Sun Goes Down Again’
- ‘Meanwhile’
- ‘The Burning’
- And Horses Took Them Home
- COVER
Keda gave vent to a sigh of such tremulous depth that she clasped her hands at her breast with the pain that it engendered.
‘And so you came here?’
‘I did not come at once. I knew that Rantel would find you as you left the gate in the Outer Wall, for he hides each night among the rocks waiting for you. I knew that he would be with you. But this morning I came here to ask him where he had found you a dwelling for the night, and where you were, for I knew your house had been taken from you by the law of the Mud Square. But when I arrived here an hour ago I saw the ghost of your face on the door, and you were happy; so I waited here. You are happy, Keda?’
‘Yes,’ she said.
‘You were afraid in the castle to come back; but now you are here you are not afraid. I can see what it is,’ he said. ‘You have found that you are in love. Do you love him?’
‘I do not know. I do not understand. I am walking on air, Braigon. I cannot tell whether I love him or no, or whether it is the world I love so much and the air and the rain last night, and the passions that opened like flowers from their tight buds. Oh, Braigon, I do not know. If I love Rantel, then I love you also. As I watch you now, your hand at your forehead and your lips moving such a little, it is you I love. I love the way you have not wept with anger and torn yourself to shreds to find me here. The way you have sat here all by yourself, oh Braigon, whittling a branch, and waiting, unafraid and understanding everything, I do not know how, for I have not told you of what has transformed me, suddenly?’
She leaned back against the wall and the morning sun lay whitely upon her face. ‘Have I changed so much?’ she said.
‘You have broken free,’ he said.
‘Braigon,’ she cried, ‘it is you – it is you whom I love.’ And she clenched her hands together. ‘I am in pain because of you and him, but my pain makes me happy. I must tell you the truth, Braigon. I am in love with all things – pain and all things, because I can now watch them from above, for something has happened and I am clear – clear. But I love you, Braigon, more than all things. It is you I love.’
He turned the branch over in his hand as though he had not heard, and then he turned to her.
His heavy head had been reclining upon the wall and now he turned it slightly towards her, his eyes half closed.
‘Keda,’ he said, ‘I will meet you tonight. The grass hollow where the Twisted Woods descend. Do you remember?’