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Chapters (50)
  1. ABOUT THE BOOK
  2. ABOUT THE AUTHOR
  3. TITLE PAGE
  4. INTRODUCTION
  5. A NOTE ON THE ILLUSTRATIONS
  6. TITUS GROAN
  7. The Hall of the Bright Carvings
  8. The Great Kitchen
  9. Swelter
  10. The Stone Lanes
  11. ‘The Spy-Hole’
  12. Fuchsia
  13. ‘Tallow and Birdseed’
  14. A Gold Ring for Titus
  15. Sepulchrave
  16. Prunesquallor’s Knee-Cap
  17. The Attic
  18. The Frivolous Cake
  19. ‘Mrs Slagg By Moonlight’
  20. Keda
  21. ‘First Blood’
  22. ‘Assemblage’
  23. ‘Titus is Christened’
  24. Means of Escape
  25. ‘A Field of Flagstones’
  26. ‘Over the Roofscape’
  27. ‘Near and Far’
  28. ‘Dust and Ivy’
  29. ‘The Body by the Window’
  30. ‘Ullage of Sunflower’
  31. Soap for Greasepaint
  32. At the Prunesquallors
  33. A Gift of the Gab
  34. While the Old Nurse Dozes
  35. Flay Brings a Message
  36. The Library
  37. In a Lime-Green Light
  38. Reintroducing the Twins
  39. ‘The Fir-Cones’
  40. Keda and Rantel
  41. The Room of Roots
  42. ‘Inklings of Glory’
  43. ‘Preparations for Arson’
  44. The Grotto
  45. Knives in the Moon
  46. ‘The Sun Goes Down Again’
  47. ‘Meanwhile’
  48. ‘The Burning’
  49. And Horses Took Them Home
  50. COVER

When Keda wakened she lay for some while motionless. Rantel’s arm was flung over her body and his hand was at her breast like a child’s. Lifting his arm she moved slowly from him, lowered his hand again softly to the floor. Then she rose and walked to the door. And as she took the first steps, there flashed through her the joyous realization that the mood of invulnerability before the world was still with her. She unlatched the door and flung it open. She had known that the outer wall of Gormenghast would face her as she did so. Its rough base within a stone’s throw would rise like a sheer cliff. And there it was, but there was more. Ever since she could remember anything the face of the outer wall had been like the symbol of endlessness, of changelessness, of power, of austerity and of protection. She had known it in so many moods. Baked to dusty whiteness, and alive with basking lizards, she could remember how it flaked in the sun. She had seen it flowering with the tiny pink and blue creeper flowers that spread like fields of coloured smoke in April across acres of its temperate surface. She had seen its every protruding ledge of stone, its every jutting irregularity furred with frost, or hanging with icicles. She had seen the snow sitting plumply on those juttings, so that in the darkness when the wall had vanished into the night these patches of snow had seemed to her like huge stars suspended.

And now this sunlit morning of late autumn gave to it a mood which she responded to. But as she watched its sunny surface sparkling after a night of heavy rain, she saw at the same moment a man sitting at its base, his shadow on the wall behind him. He was whittling at a branch in his hand. But although it was Braigon who sat there and who lifted his eyes as she opened the door, she did not cry in alarm or feel afraid or ashamed, but only looked at him quietly, happily, and saw him as a figure beneath a sparkling wall, a man whittling at a branch; someone she had longed to see again.

He did not get to his feet, so she walked over to him and sat down at his side.

His head was massive and his body also; squarely built, he gave the impression of compact energy and strength. His hair covered his head closely with tangled curls.

‘How long have you been here, Braigon, sitting in the sun carving?’

‘Not long.’

‘Why did you come?’

‘To see you.’

‘How did you know that I had come back?’

‘Because I could carve no more.’

‘You stopped carving?’ said Keda.

‘I could not see what I was doing. I could only see your face where my carving had been.’