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Chapters (57)
  1. Cover
  2. Dedication
  3. CHAPTER ONE
  4. CHAPTER TWO
  5. CHAPTER THREE
  6. CHAPTER FOUR
  7. CHAPTER FIVE
  8. CHAPTER SIX
  9. CHAPTER SEVEN
  10. CHAPTER EIGHT
  11. CHAPTER NINE
  12. CHAPTER TEN
  13. CHAPTER ELEVEN
  14. CHAPTER TWELVE
  15. CHAPTER THIRTEEN
  16. CHAPTER FOURTEEN
  17. CHAPTER FIFTEEN
  18. CHAPTER SIXTEEN
  19. CHAPTER SEVENTEEN
  20. CHAPTER EIGHTEEN
  21. CHAPTER NINETEEN
  22. CHAPTER TWENTY
  23. CHAPTER TWENTY-ONE
  24. CHAPTER TWENTY-TWO
  25. CHAPTER TWENTY-THREE
  26. CHAPTER TWENTY-FOUR
  27. CHAPTER TWENTY-FIVE
  28. CHAPTER TWENTY-SIX
  29. CHAPTER TWENTY-SEVEN
  30. CHAPTER TWENTY-EIGHT
  31. CHAPTER TWENTY-NINE
  32. CHAPTER THIRTY
  33. CHAPTER THIRTY-ONE
  34. CHAPTER THIRTY-TWO
  35. CHAPTER THIRTY-THREE
  36. CHAPTER THIRTY-FOUR
  37. CHAPTER THIRTY-FIVE
  38. CHAPTER THIRTY-SIX
  39. CHAPTER THIRTY-SEVEN
  40. CHAPTER THIRTY-EIGHT
  41. CHAPTER THIRTY-NINE
  42. CHAPTER FORTY
  43. CHAPTER FORTY-ONE
  44. CHAPTER FORTY-TWO
  45. CHAPTER FORTY-THREE
  46. CHAPTER FORTY-FOUR
  47. CHAPTER FORTY-FIVE
  48. CHAPTER FORTY-SIX
  49. CHAPTER FORTY-SEVEN
  50. CHAPTER FORTY-EIGHT
  51. Acknowledgments
  52. Discover More
  53. extras
  54. meet the author
  55. interview
  56. A Preview of "A Big Ship at the Edge of the Universe"
  57. A Preview of "Adrift"

When I’m using a first-person POV, I want to get as deep into the character’s head as possible and let them tell their own story. I approach it the same way I write dialogue, having the character’s background and personality inform their distinct voices and verbal tendencies. For example, with Corvus’s formal education and military background, he’s more proper and favors short, straightforward sentences. Scorpia, on the other hand, is much more casual, can be occasionally rambling, and often peppers her narration with colloquialisms and profanity. Also, since Corvus’s POV was a later addition to the manuscript (based on my editor’s suggestion), I ended up having to swap some scenes from Scorpia’s POV to his, which turned into a fun narrative exercise as I thought about how the two characters would view and describe the same set of events differently.

Scorpia’s voice came to me more naturally, and her narration was also a part of the story’s concept from the beginning. Corvus was more difficult to get the hang of writing, especially because I added him later in the drafting process. His early chapters on Titan were the last scenes I wrote in the first draft, but once I finally completed them, it gave me a much better grasp of what was going on inside his head.

How did you develop the dynamic between the Kaiser family? They all have their own important role on Fortuna, but they still have to navigate being a family. What was your process like while writing their relationship?

I’m a messy drafter and write quite a lot of material that doesn’t make it into the end product. Here, I think, that really helped with fleshing out the various relationships in the family. I wrote pages of backstory that ended up distilled into flashbacks lasting only a few lines, one-on-one scenes between characters that didn’t fit into the final narrative, long conversations that had to be cut short to keep the pacing even. Rather than being wasted words, it all contributed to building those family relationships. It was important to me to make sure each pair of siblings had their own unique dynamic, and that the relationships felt real and complex, since these characters have known each other for their entire lives.

Do you have a favorite scene in Fortuna? If so, why?