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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

Now that she knew Vasili was alive, she had to find out why he had not returned to Moscow. The story contained no clue to that. But Tanya knew someone who could find out almost anything: her brother.

She put the manuscript in the drawer of her bedside table. She left the bedroom and said to her mother: “I have to go and see Dimka—I won’t be long.” She went down in the elevator to the floor on which her brother lived.

The door was opened by his wife, Nina, nine months pregnant. “You look well!” Tanya said.

It was not true. Nina was long past the stage when people said a pregnant woman looked “blooming.” She was huge, her breasts pendulous, her belly stretched taut. Her fair skin was pale under the freckles, and her red-brown hair was greasy. She looked older than twenty-nine. “Come in,” she said in a tired voice.

Dimka was watching the news. He turned off the television, kissed Tanya, and offered her a beer.

Nina’s mother, Masha, was there, having come from Perm by train to help her daughter with the baby. Masha was a small, prematurely wrinkled peasant woman dressed in black, visibly proud of her citified daughter in her swanky apartment. Tanya had been surprised when she first met Masha, having previously got the impression that Nina’s mother was a schoolteacher; but it turned out that she merely worked in the village school, cleaning it in fact. Nina had pretended that her parents were somewhat higher in status—a practice so common as to be almost universal, Tanya supposed.

They talked about Nina’s pregnancy. Tanya wondered how to get Dimka alone. There was no way she was going to talk about Vasili in front of Nina or her mother. Instinctively she mistrusted her brother’s wife.

Why did she feel that so strongly, she wondered guiltily? It was because of the pregnancy, she decided. Nina was not intellectual, but she was clever: not the type to suffer an accidental pregnancy. Tanya had a suspicion, never voiced, that Nina had manipulated Dimka into the marriage. Tanya knew that her brother was sophisticated and savvy about almost everything: he was naïve and romantic only about women. Why would Nina have wanted to entrap him? Because the Dvorkins were an elite family, and Nina was ambitious?

Don’t be such a bitch, Tanya told herself.

She made small talk for half an hour, then got up to go.

There was nothing supernatural about the twins’ relationship, but they knew each other so well that each could usually guess what the other was thinking, and Dimka intuited that Tanya had not come to talk about Nina’s pregnancy. Now he stood up too. “I’ve got to take out the garbage,” he said. “Give me a hand, would you, Tanya?”

They went down in the elevator, each carrying a bucket of rubbish. When they were outside, at the back of the building, with no one else around, Dimka said: “What is it?”