Contents ( 98)
- Contents
- CAST OF CHARACTERS
- PART ONE
- WALL
- 1961
- CHAPTER ONE
- CHAPTER TWO
- CHAPTER THREE
- CHAPTER FOUR
- CHAPTER FIVE
- CHAPTER SIX
- CHAPTER SEVEN
- CHAPTER EIGHT
- CHAPTER NINE
- CHAPTER TEN
- PART TWO
- BUG
- 1961–1962
- CHAPTER ELEVEN
- CHAPTER TWELVE
- CHAPTER THIRTEEN
- PART THREE
- ISLAND
- 1962
- CHAPTER FOURTEEN
- CHAPTER FIFTEEN
- CHAPTER SIXTEEN
- CHAPTER SEVENTEEN
- CHAPTER EIGHTEEN
- CHAPTER NINETEEN
- CHAPTER TWENTY
- PART FOUR
- GUN
- 1963
- CHAPTER TWENTY-ONE
- CHAPTER TWENTY-TWO
- CHAPTER TWENTY-THREE
- CHAPTER TWENTY-FOUR
- CHAPTER TWENTY-FIVE
- CHAPTER TWENTY-SIX
- CHAPTER TWENTY-SEVEN
- CHAPTER TWENTY-EIGHT
- CHAPTER TWENTY-NINE
- CHAPTER THIRTY
- PART FIVE
- SONG
- 1963–1967
- CHAPTER THIRTY-ONE
- CHAPTER THIRTY-TWO
- CHAPTER THIRTY-THREE
- CHAPTER THIRTY-FOUR
- CHAPTER THIRTY-FIVE
- CHAPTER THIRTY-SIX
- CHAPTER THIRTY-SEVEN
- CHAPTER THIRTY-EIGHT
- CHAPTER THIRTY-NINE
- CHAPTER FORTY
- PART SIX
- FLOWER
- 1968
- CHAPTER FORTY-ONE
- CHAPTER FORTY-TWO
- CHAPTER FORTY-THREE
- CHAPTER FORTY-FOUR
- CHAPTER FORTY-FIVE
- PART SEVEN
- TAPE
- 1972–1974
- CHAPTER FORTY-SIX
- CHAPTER FORTY-SEVEN
- CHAPTER FORTY-EIGHT
- CHAPTER FORTY-NINE
- CHAPTER FIFTY
- PART EIGHT
- YARD
- 1976–1983
- CHAPTER FIFTY-ONE
- CHAPTER FIFTY-TWO
- CHAPTER FIFTY-THREE
- CHAPTER FIFTY-FOUR
- PART NINE
- BOMB
- 1984–1987
- CHAPTER FIFTY-FIVE
- CHAPTER FIFTY-SIX
- CHAPTER FIFTY-SEVEN
- CHAPTER FIFTY-EIGHT
- PART TEN
- WALL
- 1988–1989
- CHAPTER FIFTY-NINE
- CHAPTER SIXTY
- CHAPTER SIXTY-ONE
- CHAPTER SIXTY-TWO
- EPILOGUE
- November 4, 2008
- CHAPTER SIXTY-THREE
- ACKNOWLEDGMENTS
She thought about the man who had handed it to her. He had been badly dressed, half starved, and in poor health, with a look of permanent wary fearfulness: just like a man recently released from jail, she thought. He had seemed glad to get rid of the envelope, and reluctant to say more to her than he had to. But he had at least explained why he had undertaken his dangerous errand. He was repaying a debt. “Vasili Yenkov saved my life,” he had said. Again she wondered how.
She got off the bus and walked to Government House. On her return from Cuba she had moved back into her mother’s flat. She had no reason to get her own apartment and, if she had, it would have been a lot less luxurious.
She spoke briefly to Anya, then went to her bedroom and sat down on the bed to read what Vasili had written.
His handwriting had altered. The letters were smaller, the risers shorter, the loops less flamboyant. Did that reflect a change of personality, she wondered, or just a shortage of writing paper?
She began to read.
Josef Ivanovich Maslov, called Soso, was overjoyed when the food arrived spoiled.
Normally, the guards stole most of the consignment and sold it. The prisoners were left with plain gruel in the morning and turnip soup at night. Food rarely went bad in Siberia, where the ambient temperature was usually below freezing—but Communism could work miracles. So when, occasionally, the meat was crawling with maggots and the fat rancid, the cook threw it all into the pot, and the prisoners rejoiced. Soso gobbled down kasha that was oily with stinking lard, and longed for more.
Tanya was nauseated, but at the same time she had to read on.
With each page she was more impressed. The story was about an unusual relationship between two prisoners, one an intellectual dissident, the other an uneducated gangster. Vasili had a simple, direct style that was remarkably effective. Life in the camp was described in brutally vivid language. But there was more than just description. Perhaps because of his experience in radio drama, Vasili knew how to keep a story moving, and Tanya found that her interest never flagged.
The fictional camp was located in a forest of Siberian larch, and its work was chopping down the trees. There were no safety rules and no protective clothing or equipment, so accidents were frequent. Tanya particularly noted an episode in which the gangster severed an artery in his arm with a saw and was saved by the intellectual, who tied a tourniquet around his arm. Was that how Vasili had saved the life of the messenger who had brought his manuscript to Moscow from Siberia?
Tanya read the story twice. It was almost like talking to Vasili: the phrasing was familiar from a hundred discussions and arguments, and she recognized the kinds of things he found funny or dramatic or ironic. It made her heart ache with missing him.