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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

“Listen, Byron Chesterfield is coming in tonight,” Curly said with a note of desperation. “He’s the most important promoter in London—in Europe, probably. You might get work from him—but not with that name.”

“Byron Chesterfield?” said Lenny, laughing. “I’ve known him all my life. His real name is Brian Chesnowitz. His brother’s got a stall in Aldgate Market.”

Curly said: “It’s your name I’m worried about, not his.”

“Our name is fine.”

“I can’t put on a group called the Guardsmen. I’ve got a reputation.” Curly stood up. “I’m sorry, lads,” he said. “Pack up your gear.”

Dave said: “Come on, Curly, you don’t want to piss off Hank Remington.”

“Hank’s an old mate,” said Curly. “We played skiffle together at the 2i’s Coffee Bar in the fifties. But he recommended me a group called Plum Nellie, not the Guardsmen.”

Dave was distraught. “All my friends are coming!” he said. He was thinking of Linda Robertson in particular.

Curly said: “I’m sorry about that.”

Dave turned to Lenny. “Be reasonable,” he said. “What’s in a name?”

“It’s my group, not yours,” said Lenny stubbornly.

So that was the issue. “Of course it’s your group,” said Dave. “But you taught me that the customer is always right.” He was struck by inspiration. “And you can change the name back to the Guardsmen tomorrow morning, if you want.”

Lenny said: “Naah,” but he was weakening.

“Better than not playing,” said Dave, pressing his advantage. “It would be a real comedown to go home now.”

“Oh, fuck it, all right,” said Lenny.

And the crisis was over, to Dave’s intense relief and pleasure.

They stood at the bar drinking beer while the first customers trickled in. Dave limited himself to one pint: enough to relax him, not enough to make him fumble the chords. Lenny had two pints, Geoffrey three.

Linda Robertson showed up, to Dave’s delight, in a short purple dress and white knee boots. She and all Dave’s friends were legally too young to drink alcohol in bars, but they went to great lengths to look older, and anyway the law was not enforced strictly.

Linda’s attitude to Dave had changed. In the past she had treated him like a bright kid brother, even though they were the same age. The fact that he was playing at the Jump Club turned him into a different person in her eyes. Now she saw him as a sophisticated grown-up, and asked him excited questions about the group. If this was what he got for being in Lenny’s crummy outfit, Dave thought, what must it be like to be a real pop star?

With the others he returned to the dressing room to change. Professional groups usually appeared wearing identical suits, but that was expensive. Lenny compromised with red shirts for everyone. Dave thought that group uniforms were going out of fashion: the anarchic Rolling Stones dressed individually.

Plum Nellie were bottom of the bill, and played first. Lenny, as leader of the group, introduced the songs. He was seated at the side of the stage, with the upright piano angled so that he could look at the audience. Dave stood in the middle, playing and singing, and most eyes were on him. Now that the worry about the group’s name was out of the way—at least for the moment—he could relax. He moved as he played, swinging the guitar as if it were his dance partner; and when he sang he imagined he was speaking to the audience, emphasizing the words with his facial expressions and the movements of his head. As always, the girls responded to that, watching him and smiling as they danced to the beat.