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Contents ( 98)
  1. Contents
  2. CAST OF CHARACTERS
  3. PART ONE
  4. WALL
  5. 1961
  6. CHAPTER ONE
  7. CHAPTER TWO
  8. CHAPTER THREE
  9. CHAPTER FOUR
  10. CHAPTER FIVE
  11. CHAPTER SIX
  12. CHAPTER SEVEN
  13. CHAPTER EIGHT
  14. CHAPTER NINE
  15. CHAPTER TEN
  16. PART TWO
  17. BUG
  18. 1961–1962
  19. CHAPTER ELEVEN
  20. CHAPTER TWELVE
  21. CHAPTER THIRTEEN
  22. PART THREE
  23. ISLAND
  24. 1962
  25. CHAPTER FOURTEEN
  26. CHAPTER FIFTEEN
  27. CHAPTER SIXTEEN
  28. CHAPTER SEVENTEEN
  29. CHAPTER EIGHTEEN
  30. CHAPTER NINETEEN
  31. CHAPTER TWENTY
  32. PART FOUR
  33. GUN
  34. 1963
  35. CHAPTER TWENTY-ONE
  36. CHAPTER TWENTY-TWO
  37. CHAPTER TWENTY-THREE
  38. CHAPTER TWENTY-FOUR
  39. CHAPTER TWENTY-FIVE
  40. CHAPTER TWENTY-SIX
  41. CHAPTER TWENTY-SEVEN
  42. CHAPTER TWENTY-EIGHT
  43. CHAPTER TWENTY-NINE
  44. CHAPTER THIRTY
  45. PART FIVE
  46. SONG
  47. 1963–1967
  48. CHAPTER THIRTY-ONE
  49. CHAPTER THIRTY-TWO
  50. CHAPTER THIRTY-THREE
  51. CHAPTER THIRTY-FOUR
  52. CHAPTER THIRTY-FIVE
  53. CHAPTER THIRTY-SIX
  54. CHAPTER THIRTY-SEVEN
  55. CHAPTER THIRTY-EIGHT
  56. CHAPTER THIRTY-NINE
  57. CHAPTER FORTY
  58. PART SIX
  59. FLOWER
  60. 1968
  61. CHAPTER FORTY-ONE
  62. CHAPTER FORTY-TWO
  63. CHAPTER FORTY-THREE
  64. CHAPTER FORTY-FOUR
  65. CHAPTER FORTY-FIVE
  66. PART SEVEN
  67. TAPE
  68. 1972–1974
  69. CHAPTER FORTY-SIX
  70. CHAPTER FORTY-SEVEN
  71. CHAPTER FORTY-EIGHT
  72. CHAPTER FORTY-NINE
  73. CHAPTER FIFTY
  74. PART EIGHT
  75. YARD
  76. 1976–1983
  77. CHAPTER FIFTY-ONE
  78. CHAPTER FIFTY-TWO
  79. CHAPTER FIFTY-THREE
  80. CHAPTER FIFTY-FOUR
  81. PART NINE
  82. BOMB
  83. 1984–1987
  84. CHAPTER FIFTY-FIVE
  85. CHAPTER FIFTY-SIX
  86. CHAPTER FIFTY-SEVEN
  87. CHAPTER FIFTY-EIGHT
  88. PART TEN
  89. WALL
  90. 1988–1989
  91. CHAPTER FIFTY-NINE
  92. CHAPTER SIXTY
  93. CHAPTER SIXTY-ONE
  94. CHAPTER SIXTY-TWO
  95. EPILOGUE
  96. November 4, 2008
  97. CHAPTER SIXTY-THREE
  98. ACKNOWLEDGMENTS

The group was improving, however. When Dave sang in harmony with Lenny they sounded modern, more like the Beatles. And Dave had persuaded Lenny to try some different material, authentic Chicago blues and danceable Detroit soul, the kind of thing the younger groups were playing. As a result they were getting more dates. Instead of once a fortnight, they were now booked every Friday and Saturday night.

But Dave had another reason for anxiety. He had got this gig by asking Evie’s boyfriend, Hank Remington, to recommend the group. But Hank had turned his nose up at their name. “The Guardsmen sounds old-fashioned, like the Four Aces, and the Jordanaires,” he had said.

“We might change it,” Dave had said, willing to do anything for a booking at the Jump Club.

“The latest vogue is a name from an old blues, like the Rolling Stones.”

Dave recalled a track by Booker T. and the MGs that he had heard a few days earlier. He had been struck by its oddball name. “How about Plum Nellie?” he had said.

Hank had liked that, and told the club they should try out a new group called Plum Nellie. A suggestion from someone as famous as Hank was like a command, and the group got the gig.

But when Dave had proposed the name change, Lenny had turned it down flat. “The Guardsmen we are, and the Guardsmen we stay,” he had said mulishly, and started talking about something else. Dave had not dared to tell him the Jump Club already thought they were called Plum Nellie.

Now the crisis was approaching.

At the sound check they played “Lucille.” After the first verse, Dave stopped and turned to the lead guitarist, Geoffrey. “What the fuck was that?” Dave said.

“What?”

“You played something weird halfway through.”

Geoffrey gave a knowing smile. “Nothing. It’s just a passing chord.”

“It’s not on the record.”

“What’s the matter, can’t you play C sharp diminished?”

Dave knew exactly what was going on. Geoffrey was trying to show him up as a beginner. But unfortunately Dave had never heard of a diminished chord.

Lenny said: “Known to pub pianists as a double minor, Dave.”

Swallowing his pride, Dave said to Geoffrey: “Show me.”

Geoffrey rolled up his eyes and sighed, but he demonstrated the chord shape. “Like that, all right?” he said wearily, as if tired of dealing with amateurs.

Dave copied the chord. It was not difficult. “Next time, tell me before we play the fucking song,” he said.

After that it went well. Phil Burleigh, the owner of the club, entered in the middle and listened. Being prematurely bald, he was naturally known as Curly Burleigh. At the end he nodded approval. “Thank you, Plum Nellie,” he said.

Lenny shot a filthy look at Dave. “The group is called the Guardsmen,” he said firmly.

Dave said: “We discussed changing it.”

“You discussed it. I said no.”

Curly said: “The Guardsmen is a terrible name, mate.”

“It’s what we’re called.”