Chapters (56)
- PHILIPPA GREGORY
- April 1603
- April 1603
- July 1604
- August 1604
- October 1605
- May 1607
- June 1607
- August 1607
- Summer 1608
- January 1610
- Summer 1610
- Autumn 1610
- Spring 1611
- Autumn 1611
- May 1612
- October 1612
- November 1612
- September 1616
- Summer 1618
- Spring 1620
- 1622
- 1623
- 1624
- March 1625
- Spring 1625
- May 1625
- Summer 1626
- Summer 1627
- Autumn 1627
- November 1627
- Winter 1627
- Spring 1628
- Summer 1628
- Late Summer 1628
- November 1628
- December 1628
- Spring 1629
- 1630
- Summer 1631
- Winter 1632–3
- Summer 1633
- Winter 1633–4
- Spring 1634
- January 1635
- Spring 1635
- Summer 1635
- 1636
- December 1636
- 1637
- December 1637
- Spring 1638
- About the Author
- Also by the Author
- Copyright
- About the Publisher
John stepped forwards to look. The post was square and grand, a fitting size and solidity for the big hall, the ornaments carved on top with acanthus leaves and swags and ribbons. One face of the square pillar was ornate with half-finished carvings but the other was already complete. It showed a man, in the act of stepping down from the plinth, stepping out of the frame of the carving as if he would take his place in the outside world, as if he would take his work to the farthest corners of the world.
In one hand the figure had a long-handled rake, and in the other a grand fanciful flower springing from a huge pot, which was spilling over with fruit and seeds: a cornucopia of goodness. He was wearing comfortable baggy breeches and a stout overcoat, and on his head, at a rakish joyful angle, was his hat. With an awe-struck gasp John recognised himself, carved in wood on the earl’s newel post.
‘Good God! Is it me?’ John asked in a whisper.
Robert Cecil’s hand was gentle on his shoulder. ‘It’s you,’ he said. ‘And a very good likeness, I think.’
‘Why have you put me on your stair post, my lord?’ John asked. ‘Of all the things that you could have had carved?’
The earl smiled. ‘Of all my great choices: the Three Graces, or Zeus, or Apollo, or something from the Bible or the king himself? Yet I chose to have my gardener carved in the centre post of my house.’
John looked at the jaunty confidence of the set of the hat and the brandished rake. ‘I don’t know what to say,’ he said simply. ‘It’s too much for me. You have taken my breath away.’
‘Fame comes in many guises, Tradescant,’ Robert Cecil remarked. ‘But I think people will remember you when they sit beneath their chestnut trees and when your plants bloom in their gardens. And here you are, and here you will be, as long as my house stands, recorded forever, striding out with a plant in one hand, and your rake in the other.’
Autumn 1611
Elizabeth and Baby J were at last to move to Hatfield House. Gertrude, suddenly seized with maternal tenderness, came to weep over their departure and to see them off, all their goods loaded into one wagon, and Elizabeth sitting beside John on the driver’s seat with Baby J wedged between them.
‘Where’s the chestnut tree?’ John asked.
‘That tree!’ Gertrude exclaimed, but she lacked her old spite.
‘Safe in the back,’ Elizabeth said. ‘Beside the kitchen things.’