Back Earthly Joys Save as PDF
Chapters (56)
  1. PHILIPPA GREGORY
  2. April 1603
  3. April 1603
  4. July 1604
  5. August 1604
  6. October 1605
  7. May 1607
  8. June 1607
  9. August 1607
  10. Summer 1608
  11. January 1610
  12. Summer 1610
  13. Autumn 1610
  14. Spring 1611
  15. Autumn 1611
  16. May 1612
  17. October 1612
  18. November 1612
  19. September 1616
  20. Summer 1618
  21. Spring 1620
  22. 1622
  23. 1623
  24. 1624
  25. March 1625
  26. Spring 1625
  27. May 1625
  28. Summer 1626
  29. Summer 1627
  30. Autumn 1627
  31. November 1627
  32. Winter 1627
  33. Spring 1628
  34. Summer 1628
  35. Late Summer 1628
  36. November 1628
  37. December 1628
  38. Spring 1629
  39. 1630
  40. Summer 1631
  41. Winter 1632–3
  42. Summer 1633
  43. Winter 1633–4
  44. Spring 1634
  45. January 1635
  46. Spring 1635
  47. Summer 1635
  48. 1636
  49. December 1636
  50. 1637
  51. December 1637
  52. Spring 1638
  53. About the Author
  54. Also by the Author
  55. Copyright
  56. About the Publisher

John stepped forwards to look. The post was square and grand, a fitting size and solidity for the big hall, the ornaments carved on top with acanthus leaves and swags and ribbons. One face of the square pillar was ornate with half-finished carvings but the other was already complete. It showed a man, in the act of stepping down from the plinth, stepping out of the frame of the carving as if he would take his place in the outside world, as if he would take his work to the farthest corners of the world.

In one hand the figure had a long-handled rake, and in the other a grand fanciful flower springing from a huge pot, which was spilling over with fruit and seeds: a cornucopia of goodness. He was wearing comfortable baggy breeches and a stout overcoat, and on his head, at a rakish joyful angle, was his hat. With an awe-struck gasp John recognised himself, carved in wood on the earl’s newel post.

‘Good God! Is it me?’ John asked in a whisper.

Robert Cecil’s hand was gentle on his shoulder. ‘It’s you,’ he said. ‘And a very good likeness, I think.’

‘Why have you put me on your stair post, my lord?’ John asked. ‘Of all the things that you could have had carved?’

The earl smiled. ‘Of all my great choices: the Three Graces, or Zeus, or Apollo, or something from the Bible or the king himself? Yet I chose to have my gardener carved in the centre post of my house.’

John looked at the jaunty confidence of the set of the hat and the brandished rake. ‘I don’t know what to say,’ he said simply. ‘It’s too much for me. You have taken my breath away.’

‘Fame comes in many guises, Tradescant,’ Robert Cecil remarked. ‘But I think people will remember you when they sit beneath their chestnut trees and when your plants bloom in their gardens. And here you are, and here you will be, as long as my house stands, recorded forever, striding out with a plant in one hand, and your rake in the other.’

Autumn 1611

Elizabeth and Baby J were at last to move to Hatfield House. Gertrude, suddenly seized with maternal tenderness, came to weep over their departure and to see them off, all their goods loaded into one wagon, and Elizabeth sitting beside John on the driver’s seat with Baby J wedged between them.

‘Where’s the chestnut tree?’ John asked.

‘That tree!’ Gertrude exclaimed, but she lacked her old spite.

‘Safe in the back,’ Elizabeth said. ‘Beside the kitchen things.’