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Chapters (56)
  1. PHILIPPA GREGORY
  2. April 1603
  3. April 1603
  4. July 1604
  5. August 1604
  6. October 1605
  7. May 1607
  8. June 1607
  9. August 1607
  10. Summer 1608
  11. January 1610
  12. Summer 1610
  13. Autumn 1610
  14. Spring 1611
  15. Autumn 1611
  16. May 1612
  17. October 1612
  18. November 1612
  19. September 1616
  20. Summer 1618
  21. Spring 1620
  22. 1622
  23. 1623
  24. 1624
  25. March 1625
  26. Spring 1625
  27. May 1625
  28. Summer 1626
  29. Summer 1627
  30. Autumn 1627
  31. November 1627
  32. Winter 1627
  33. Spring 1628
  34. Summer 1628
  35. Late Summer 1628
  36. November 1628
  37. December 1628
  38. Spring 1629
  39. 1630
  40. Summer 1631
  41. Winter 1632–3
  42. Summer 1633
  43. Winter 1633–4
  44. Spring 1634
  45. January 1635
  46. Spring 1635
  47. Summer 1635
  48. 1636
  49. December 1636
  50. 1637
  51. December 1637
  52. Spring 1638
  53. About the Author
  54. Also by the Author
  55. Copyright
  56. About the Publisher

‘When you have a lord or a king,’ John went on, choosing his words with caution, ‘you have to be sure that he knows what he’s doing. Because he’s going to be the one who decides what you do.’ He stopped, bent and whisked out the little yellow head of a groundsel plant. ‘Once you’re his man, you’re stuck with him,’ he said frankly. ‘He has to be a man of judgement, because if he gets it wrong then he is ruined; and you with him.’

Cecil waited in case there was more but John looked shyly down into his face. ‘I beg your pardon,’ he said. ‘I did not mean to suggest that the king did not know what he has to do. I was thinking of us subjects.’

Sir Robert waved away the apology with one gesture of his long-fingered hand. They strolled together up the great avenue through the large formal knot garden towards the front terrace of the palace. It was done in the old style, and John had changed nothing here since his arrival as gardener. It had been laid out by Sir Robert’s father in the bleak elegance of the period. Sharply defined geometric patterns of box hedging enclosed different coloured gravels and stones. The beauty of the garden was best seen if you looked down on it, from the house. Then you could see that it was as complex and lovely as a series of neat diagrams of cropped hedging and stone. John had a private ambition to change the garden after the new fashion – to break up the regular square and rectangular beds and make all the separate beds one long whole, like an embroidered hem or scarf – a twisting pattern that went on and on, serpentined in and about itself. When his master was less absorbed with statecraft John was going to suggest melding the beds one into another.

Once he had persuaded Sir Robert to follow the new fashion for the knot garden he had an ambition to go yet further. He longed to take out the gravel from the enclosed shapes and plant the patterns with herbs, flowers and shrubs. He wanted to see the whole disciplined shape softened and changing every day with foliage and flowers which would bloom and wilt, grow freshly green, and then pale. He had a belief, as yet unexpressed, almost unformed, that there was something dead and hard about a garden of stone paths edged with box enclosing beds of gravel. Tradescant had a picture in his mind’s eye of plants spilling over the hedges, of the thick green of the box containing wildness, fertility, even colour. It was an image that drew on the hedgerow and roadside of the wild country of England and brought that richness into the garden and imposed order upon it.

‘I miss her,’ Sir Robert admitted.