Back Don't Look for Me
Chapters (62)
  1. Cover
  2. Copyright Notice
  3. Dedication
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-one
  25. Chapter Twenty-two
  26. Chapter Twenty-three
  27. Chapter Twenty-four
  28. Chapter Twenty-five
  29. Chapter Twenty-six
  30. Chapter Twenty-seven
  31. Chapter Twenty-eight
  32. Chapter Twenty-nine
  33. Chapter Thirty
  34. Chapter Thirty-one
  35. Chapter Thirty-two
  36. Chapter Thirty-three
  37. Chapter Thirty-four
  38. Chapter Thirty-five
  39. Chapter Thirty-six
  40. Chapter Thirty-seven
  41. Chapter Thirty-eight
  42. Chapter Thirty-nine
  43. Chapter Forty
  44. Chapter Forty-one
  45. Chapter Forty-two
  46. Chapter Forty-three
  47. Chapter Forty-four
  48. Chapter Forty-five
  49. Chapter Forty-six
  50. Chapter Forty-seven
  51. Chapter Forty-eight
  52. Chapter Forty-nine
  53. Chapter Fifty
  54. Chapter Fifty-one
  55. Chapter Fifty-two
  56. Chapter Fifty-three
  57. Chapter Fifty-four
  58. Chapter Fifty-five
  59. Chapter Fifty-six
  60. Chapter Fifty-seven
  61. Acknowledgments [TK]
  62. Also by Wendy Walker

“Everything that’s outside the house,” she says.

“Like what?” I ask.

“All the trees and the grass and the sky and the air. All the animals. All of it. I can’t ever leave. Except with the mask and only if it’s an emergency.”

She says this without emotion. She says this without longing because she doesn’t know any other way of life. She must have been living this way since she’s had memories.

I make some mental notes and pretend that they are important so that I don’t jump out of my skin playing with dolls when I want to run.

First, she has been here since age four or perhaps even earlier. She has no memory of any other life.

Second, she never calls the man by a name. She uses only the pronouns he, him, his.

Third, he has lied to her to keep her here. If she had such severe allergies, the dust in this house would have killed her by now.

Fourth, this man who won’t say his name is angry and impulsive. I picture him slamming on his brakes, causing a car to crash into him. He may also be violent.

“Suzannah!” Alice yells.

I am pulled back into the moment where I am playing with dolls.

I hold mine up. “Yes, Hannah?” I say in a different voice than my own.

Now Alice throws hers down. “She doesn’t talk like that!”

“I’m sorry,” I say. “How does she talk? I will try to be just like her.”

Alice calms and picks up her doll. “Just normal. In your regular voice.”

“Okay,” I say. “What, Hannah?” I try again.

Her face lights up. It’s night and day. Dark and light. The emotions that flow through this child.

We talk then, Hannah and Suzannah. We talk about childish things. We talk about our pets. Suzannah has a little puppy named Oscar and Hannah has a cat named Whiskers. At every turn, I am redirected with my answers. This is a game Alice plays the same way each time, and I imagine before today, she played both parts. Hannah and Suzannah.

When she tires of the game, I begin again with my inquiries.

“Who else gets to play Suzannah?” I ask. “Your father?”

She turns away in a huff.

I’ve hit a nerve so I push harder. “Your mother?”

“Stop asking dumb questions!” she says.

She walks to the wall of shelves and pulls out a board game. Candyland. It’s old, the box broken and taped back together.

She doesn’t say a word as she sets it up on the floor.

We draw cards. We take turns. I wait. And then I resume.

“Well,” I say. “I sure am glad you found me last night. I haven’t gotten to play Candyland in years. Not since my children were younger.”