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Chapters (62)
  1. Cover
  2. Copyright Notice
  3. Dedication
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-one
  25. Chapter Twenty-two
  26. Chapter Twenty-three
  27. Chapter Twenty-four
  28. Chapter Twenty-five
  29. Chapter Twenty-six
  30. Chapter Twenty-seven
  31. Chapter Twenty-eight
  32. Chapter Twenty-nine
  33. Chapter Thirty
  34. Chapter Thirty-one
  35. Chapter Thirty-two
  36. Chapter Thirty-three
  37. Chapter Thirty-four
  38. Chapter Thirty-five
  39. Chapter Thirty-six
  40. Chapter Thirty-seven
  41. Chapter Thirty-eight
  42. Chapter Thirty-nine
  43. Chapter Forty
  44. Chapter Forty-one
  45. Chapter Forty-two
  46. Chapter Forty-three
  47. Chapter Forty-four
  48. Chapter Forty-five
  49. Chapter Forty-six
  50. Chapter Forty-seven
  51. Chapter Forty-eight
  52. Chapter Forty-nine
  53. Chapter Fifty
  54. Chapter Fifty-one
  55. Chapter Fifty-two
  56. Chapter Fifty-three
  57. Chapter Fifty-four
  58. Chapter Fifty-five
  59. Chapter Fifty-six
  60. Chapter Fifty-seven
  61. Acknowledgments [TK]
  62. Also by Wendy Walker

“It’s all so clear now. How weak you are.” She speaks with an eerie calm. “I should have gone to the train station with the chief. Gone to Boston and gotten rid of it. I could have been anything. I could have gone to college. But I believed you—and you promised me. You said we would make it out. That’s all I ever wanted. To get the fuck out of Hastings! But you’re a coward and a liar.”

The woods are dead quiet. The man with the shotgun, and my daughter—they are statues listening to this story. And Alice, how she weeps and buries her face into the side of her mother.

Daisy gets ahold of herself. Her face changes the way Alice’s does. In an instant.

Now come seconds that blur. Seconds that leave me stunned.

First, the words.

“Well, it’s done—so now we have to clean this up.”

And the shot. One shot, fired at Mick. Hitting him dead-on.

Chapter Fifty-four

Day eighteen

“Daisy!” Booth yelled out to her. Nic felt her head spin. She reached for the tree.

Reyes was on the ground. His eyes were open. His body still. He was dead.

The little girl was screaming now. “No!”

Daisy slapped her clear across the face.

“Stop it! Do you hear me? Mommy has to take care of things now.”

She turned the gun on Booth. He held the shotgun on her, though his arms were trembling.

“Put it down,” she said to him.

But even as his whole body began to shake, he did not let go of the shotgun.

“Roger—think about it. Do you know what’s been going on? We’ve been here this whole time. For ten years. Right under your nose. Living in that house right through the woods. Running the cons—on the roads, at the casino, it’s been so easy—and raising this girl. Your girl. Don’t tell me you’re not happy he’s dead.”

Booth was breathing hard, but said nothing.

“You wanted him dead when he said those things to you, right? Just now, when he told you how I never loved you? How I would never have your baby? He wasn’t lying. I was going to get rid of it. I kept it for him. I kept it because I thought he was a big man. I gave him your baby.”

Daisy laughed. It was sickening, like she was mocking the very core of his humanity.

“You wanted to pull that trigger just now, but you couldn’t. That’s why I could never love you.”

Nic moved farther behind the tree. The little girl pulled hard against her mother’s hold, even as her face began to swell.

Then, suddenly, Booth cocked the gun and held it higher. Aimed right at Daisy’s head.

“Why did he do all of this—kidnap Molly Clarke, then lure her daughter here?” Booth asked.