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Chapters (62)
  1. Cover
  2. Copyright Notice
  3. Dedication
  4. Chapter One
  5. Chapter Two
  6. Chapter Three
  7. Chapter Four
  8. Chapter Five
  9. Chapter Six
  10. Chapter Seven
  11. Chapter Eight
  12. Chapter Nine
  13. Chapter Ten
  14. Chapter Eleven
  15. Chapter Twelve
  16. Chapter Thirteen
  17. Chapter Fourteen
  18. Chapter Fifteen
  19. Chapter Sixteen
  20. Chapter Seventeen
  21. Chapter Eighteen
  22. Chapter Nineteen
  23. Chapter Twenty
  24. Chapter Twenty-one
  25. Chapter Twenty-two
  26. Chapter Twenty-three
  27. Chapter Twenty-four
  28. Chapter Twenty-five
  29. Chapter Twenty-six
  30. Chapter Twenty-seven
  31. Chapter Twenty-eight
  32. Chapter Twenty-nine
  33. Chapter Thirty
  34. Chapter Thirty-one
  35. Chapter Thirty-two
  36. Chapter Thirty-three
  37. Chapter Thirty-four
  38. Chapter Thirty-five
  39. Chapter Thirty-six
  40. Chapter Thirty-seven
  41. Chapter Thirty-eight
  42. Chapter Thirty-nine
  43. Chapter Forty
  44. Chapter Forty-one
  45. Chapter Forty-two
  46. Chapter Forty-three
  47. Chapter Forty-four
  48. Chapter Forty-five
  49. Chapter Forty-six
  50. Chapter Forty-seven
  51. Chapter Forty-eight
  52. Chapter Forty-nine
  53. Chapter Fifty
  54. Chapter Fifty-one
  55. Chapter Fifty-two
  56. Chapter Fifty-three
  57. Chapter Fifty-four
  58. Chapter Fifty-five
  59. Chapter Fifty-six
  60. Chapter Fifty-seven
  61. Acknowledgments [TK]
  62. Also by Wendy Walker

“Wait—there’s one last thing,” Kurt said. “Edith never saw your mother. But the thing she knew about your mother’s purse—Reyes told her to say that. How did he know?”

Nic realized then what must have happened. The only explanation. “Reyes knew because he saw my mother that night.”

She pulled away from Kurt Kent, and raced back to her mother’s car, down Hastings Pass to the inn. And the fence. And the hole that someone had started to make.

Chapter Forty-seven

Day eighteen

Alice does not get the key. Instead, she sits in the kitchen with Mick for hours, it seems. I hear him moan and choke. I hear her sob. I think I have miscalculated. I think that now I am surely going to die.

But then another sound. A car.

I race from where I stand by the grate and look out the small hole in the wood. I see another police car. Another police officer. This one wears short sleeves and patches. He walks to the front porch and I think, call out! Call for help! But then I wonder—Mick is a cop. What if they’re in this together?

I return to the grate when I hear the shuffling. Mick is on his feet, and he drags Alice toward me. He is pale, his shirt covered in sweat and vomit. But he has survived the poison. This will not end well.

He says nothing because the doorbell has rung and now the new cop is knocking. He calls out a name.

“Reyes? You in there?”

Mick has a name. Reyes.

He is worried. I can see it on his face. Worried and weakened by the cyanide.

The cop again—

“Reyes—come on. I see your car out here. . . .” A pause as he listens outside the door. And then—

“I spoke to the owners. I know you take care of this place. Listen—it doesn’t matter, okay? You’ve been working on the side for them. Right? Moonlighting? Doing security here and at the gas station? I’ve seen the utility bills—buddy? Are you in there? You been living in there when you’re not supposed to be? It’s okay, we can work it out. We can work everything out.”

When the cop falls silent again, Mick, Reyes, the man—he opens the grate with the key that he wears on his belt. He shoves Alice inside the room with me, and locks it shut.

I pull Alice close. We are one now, in our fate. And we move as one back to the grate where we can see what’s about to happen.

Chapter Forty-eight

Day eighteen

Nic ran through the lobby of the inn to the back door. Then across the patio to the shed where she took a rock to the padlock, beating it until it opened.