Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

She goes into the house and hears voices from the kitchen. There is a pair of Wellington boots next to Agnes’s shoes; for a moment she thinks they are Klein’s, but realises they are too small. The wood-burning stove has been lit, the room is warm and welcoming. Agnes is sitting at the table with a cup of tea. Opposite her is a thin woman in her seventies; she is wearing glasses and a headscarf. Her oilskin jacket is not unlike Klein’s, and the similarities don’t end there; the woman’s facial expression is equally reserved, controlled. The contrast between the older woman and Agnes, with her ripped jeans, pink hair and exaggerated makeup couldn’t be greater, and yet they seem to be getting along very well.

‘This is Elisabet,’ Agnes says. ‘She’s the one who gave me a lift.’

The woman stands up and holds out a skinny hand with prominent blue veins on the back. ‘Elisabet Vidje – I’m your landlady.’ She has a strong accent, like a Skåne nobleman in an old film. ‘You have a delightful daughter.’

‘Thank you,’ Anna replies. ‘And thank you for bringing her home.’

‘No problem. We bumped into each other at the station, and Tabor is on my way.’

Elisabet sits down, perching on the edge of her chair. She holds the handle of her teacup between her index finger and thumb, as if she would rather not touch things unnecessarily. Her voice is clear.

‘Agnes tells me she wants to be a photographer, and that her father encouraged her. I believe your ex-husband is dead?’

‘Yes.’ Anna is surprised by the other woman’s directness, and by the fact that Agnes has already opened up to a stranger. At the same time, she can’t help being annoyed; as usual, Håkan is the hero, according to Agnes.

‘How did he die?’

‘Cancer.’ If she says any more, she is bound to stammer.

‘My condolences. My father was about the same age when he died – heart attack.’ She turns to Agnes. ‘He also thought education was important.’ She takes a sip of her tea. ‘His dream was that my older sister, Ebba, and I would go to the University of Lund. Make something of ourselves.’

‘And was that what you wanted?’ Agnes asks.

Elisabet tilts her head on one side, and she compresses her lips into a thin line. Anna is about to steer the conversation away from such a personal question, make an apologetic gesture indicating that Agnes is still a little too young to understand social norms, but to her surprise Elisabet speaks first.