Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

Lisa has already set off towards the house, and Anna catches her up. Bruno has piled the bales of hay on top of each other just inside the door. He presses himself against the wall to let them pass.

‘You don’t have to do this, Bruno,’ Anna says. ‘Rylander’s death was an accident, but this is murder in cold blood. Marie is c . . . c . . . crazy . . .’

‘Shut the fuck up!’ Something hard strikes her on the back of her head, making her jaws clamp together. She stumbles forward, but manages to stop herself from falling. She spins around to defend herself against the next onslaught.

Marie is pointing the gun straight at her, baring her teeth. Her eyes are black. For a second Anna is convinced that Marie is going to shoot her in the face. Bruno’s horrified expression indicates that he thinks the same thing.

‘Marie,’ he says quietly. No response. Her knuckles on the hand gripping the gun whiten. A part of Anna wants to close her eyes, block out the shot and the pain, but she forces herself to keep them open. The dogs growl threateningly, baring their teeth in the same way as their mistress.

‘You have no fucking idea,’ Marie hisses at her. ‘No idea what it means to be the one who always has to hold everything together. Carry all the expectations, all the responsibility. Every single thing . . .’ She raises the gun a fraction, her forefinger squeezing the trigger.

‘Darling,’ Bruno says, a little louder this time. ‘This isn’t what we decided. We need to stick to the plan, don’t we?’

Marie remains motionless for a few seconds, then slowly lowers the gun. A vestige of sanity returns to her face.

‘Never say that again,’ she hisses at Anna. ‘Never!’

Anna nods.

‘Would you please go upstairs,’ Bruno says. His tone is so polite that it’s almost funny.

When they reach the chapel, Marie gestures towards the painting.

‘Go and sit in the corner.’

‘Do you really think this is going to work?’ Anna ventures. ‘Do you seriously think that the police will believe a fire started for no reason?’

The ghost of a smile passes across Marie’s face. ‘I’m not a police officer, but I’m pretty sure the investigation will show that the foreign tradesmen Aunt Elisabet employed didn’t follow Swedish standards when they did the wiring. A short circuit caused by the storm leads to a fire with tragic consequences.’ The insanity is back. ‘Not least because I’m very close to the person who will be leading the inquiry.’

Anna realises that her mouth has dropped open.