Chapters (71)
- Cover
- Dedication
- Epigraph
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Author’s Note
- Extract from Rites of Spring
- About the Author
The brook winds its way through the trees, gradually getting wider and louder as it is joined by other small tributaries. Agnes and Milo are hell-bent on moving forward, while Anna stops every two hundred yards in order to orientate herself. She doesn’t want them to go too close to the edge. She can’t see it because of the fog, but she knows it’s there. She thinks she has a pretty good handle on where they are. Nedanås itself is at the bottom of the north-western point of the ridge. It’s just under ten miles from the edge of the village to their house; right now they are walking along the ridge and away from Nedanås, which means they’re heading south-west. She tries to read her surroundings as Håkan taught her to do. Moss and lichen on the north side of the tree trunks, more downward-growing branches on the south side. She knows that anthills are almost always on the south side of a tree, but she can’t find any. After a while she realises this isn’t particularly surprising. There isn’t a single conifer, only tall deciduous trees with trunks like grey-green pillars, growing close together until they disappear among the sweeping veils of fog. The impression is eerie, almost ghostly.
They’re bound to find you, Håkan whispers without warning. You’re not safe, not even out here. You have to tell her. You promised me you would.
She shudders, shakes off the feeling and the voice in her head. After a few moments she manages to recapture her joy at the fact that she and Agnes are doing something together.
They continue alongside the brook, which gradually digs its way into the soft ground, creating a steep bank. Anna checks the time. Just after five, still another hour or so until dusk begins to fall, and yet it already seems as if the light is fading. The path slopes gently downwards, yet there is no sign of any rocks or changes in the terrain that match the painting. She is about to suggest they turn back when Milo suddenly starts barking loudly and agitatedly.
He’s found a big hole in the bank, and before they can stop him he is already halfway in. He carries on barking, and although the noise is slightly muffled by the earth, he sounds even more excited.
‘Milo, come here!’ Agnes shouts, but the dog ignores her. His back legs scrabble against the bank, and then he disappears completely into the hole. The barking is now joined by another noise, grunting followed by loud hissing that can’t possibly be coming from the little dog. ‘Milo!’ Agnes tries to make her way down to the hole, but loses her balance and falls. The bank is so steep that she rolls over and lands on her knees in the stream. ‘Shit!’