Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

The brook winds its way through the trees, gradually getting wider and louder as it is joined by other small tributaries. Agnes and Milo are hell-bent on moving forward, while Anna stops every two hundred yards in order to orientate herself. She doesn’t want them to go too close to the edge. She can’t see it because of the fog, but she knows it’s there. She thinks she has a pretty good handle on where they are. Nedanås itself is at the bottom of the north-western point of the ridge. It’s just under ten miles from the edge of the village to their house; right now they are walking along the ridge and away from Nedanås, which means they’re heading south-west. She tries to read her surroundings as Håkan taught her to do. Moss and lichen on the north side of the tree trunks, more downward-growing branches on the south side. She knows that anthills are almost always on the south side of a tree, but she can’t find any. After a while she realises this isn’t particularly surprising. There isn’t a single conifer, only tall deciduous trees with trunks like grey-green pillars, growing close together until they disappear among the sweeping veils of fog. The impression is eerie, almost ghostly.

They’re bound to find you, Håkan whispers without warning. You’re not safe, not even out here. You have to tell her. You promised me you would.

She shudders, shakes off the feeling and the voice in her head. After a few moments she manages to recapture her joy at the fact that she and Agnes are doing something together.

They continue alongside the brook, which gradually digs its way into the soft ground, creating a steep bank. Anna checks the time. Just after five, still another hour or so until dusk begins to fall, and yet it already seems as if the light is fading. The path slopes gently downwards, yet there is no sign of any rocks or changes in the terrain that match the painting. She is about to suggest they turn back when Milo suddenly starts barking loudly and agitatedly.

He’s found a big hole in the bank, and before they can stop him he is already halfway in. He carries on barking, and although the noise is slightly muffled by the earth, he sounds even more excited.

‘Milo, come here!’ Agnes shouts, but the dog ignores her. His back legs scrabble against the bank, and then he disappears completely into the hole. The barking is now joined by another noise, grunting followed by loud hissing that can’t possibly be coming from the little dog. ‘Milo!’ Agnes tries to make her way down to the hole, but loses her balance and falls. The bank is so steep that she rolls over and lands on her knees in the stream. ‘Shit!’