Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

When she reaches the avenue she sees both Klein’s and Elisabet Vidje’s vehicles by the lodge. She parks her car by the side of the road. The lodge is surrounded by a hawthorn hedge so tall that all she can see is the low roof. Next to the two parked cars is an opening in the hedge. The wooden house is painted green, with an abundance of decorative white woodwork around the porch and above the windows, and yet there is something desolate about the place. It’s as if it is hiding away behind the hawthorns right at the end of the avenue, and prefers to keep itself to itself.

She hears voices from behind the building. As she rounds the corner she sees a storage shed. The double doors are wide open, and a deer is hanging in the middle of the room. A hook has been inserted beneath the animal’s chin and attached to a chain hanging from a beam. The deer is so big that its hind feet are touching the concrete floor. Anna tries to remember the little she learned about deer in school; she knows there are two kinds, but can’t recall which is which. Klein and Elisabet seem to be admiring the creature. They both turn when they hear her approaching.

‘Isn’t he magnificent?’ Elisabet says.

‘He is. What kind is he?’

‘A red deer.’ Klein sounds amused at her ignorance. ‘Fallow deer are smaller and have palmate horns. Not like this beast. I got him down at Bensige early this morning. He was worth waiting for.’ Klein pats the deer’s neck a couple of times. Anna can see dried blood on his hands.

‘Klein wanted to shoot him last year, but I asked him to wait,’ Elisabet says. ‘He’s a breeding stag, and I wanted to give him one more season to pass on his genes.’ She smiles, but her eyes look tired, and the part of her face not covered by her shawl is pale and lined.

‘Why shoot him at all?’ Anna asks.

‘If we didn’t, sooner or later he’d wander further east along the ridge and onto Trolleberg’s land. Some trophy hunter would pay a fortune to bring him down, then take his head and mount it on a wall in Germany or Denmark. And the meat would finish up in a food hall in Stockholm.’

Elisabet shakes her head.

‘He was born and grew up on the ridge, his children and grandchildren are grazing on its slopes. So we want to keep him here with us, right to the end.’ She also pats his neck – tenderly, affectionately.

‘Karl-Johan doesn’t approve of hunting,’ Anna says, without really knowing why. Both Klein and Elisabet raise their heads a fraction when they hear his name. The movement is identical and simultaneous – almost comically so.

‘No,’ Klein says, glancing at Elisabet.