Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

She ends the call and explains to Lisa that she has to deal with an urgent matter. She takes Lisa’s phone number and promises to be in touch.

*

Mats and Agnes are sitting on the top step playing with Milo. Agnes should of course be in school, but Anna decides to ignore that for now. As soon as Anna gets out of the car, Mats stands up and tugs at the hem of his jacket, looking embarrassed.

‘Agnes said you wanted to talk to me?’

He doesn’t answer; instead, he glances up at the roof of  Tabor.

Agnes stands up too and takes him gently by the arm.

‘Mats was wondering if he could have a look at the mural, Mum.’

Anna raises her eyebrows. ‘I got the impression we were going to talk about . . .’

Agnes flashes her an angry glance and shakes her head slightly.

‘Of course, Mats,’ Anna says, even though she has no idea what’s going on.

All three of them make their way to the chapel. When Mats isn’t looking, Anna frowns at her daughter, but to no avail.

The big man stops a couple of metres away from the painting, and admires it in silence. After a while his expression grows troubled.

‘That’s the quarry,’ he murmurs to himself. ‘But where is he? I can’t find him.’

Agnes has placed her photographic lamps at each end of the wall, pointing at the mural. She goes over to one of them and presses a button. The light brings out Simon Vidje’s body in the dark water.

Mats gasps and steps back, raises his hand towards his eyes as if to protect himself from what he is seeing.

Anna remembers what he said – that the water in the quarry pool was freezing cold, that Carina’s lips were blue. This is the right moment to ask the question that’s been bothering her.

‘Were you there, Mats?’ she says quietly. ‘Were you at the quarry that evening?’

He nods slowly, tears trickling down his cheeks.

‘To spy on Carina Pedersen?’

He nods again, wiping away the tears with the back of his hand. ‘She was so beautiful. Long, fair hair, almost like an angel.’ He blushes.

‘Did the others know you were there?’

‘No. Marie always chased me away if she spotted me. I had to creep around. I hid in the forest. There’s a place where you can see nearly everything with a good pair of binoculars.’

‘How . . .’ she tries to contain her eagerness, ‘how long were you there, Mats?’

‘Until it started raining. Until they . . .’ He falls silent, shuffles his feet, looks at the mural again.

‘Until they did what?’ Anna prompts him, as gently as she can.

‘Until they started quarrelling,’ he mumbles.

‘Who?’ Agnes can’t suppress her curiosity.

Mats spreads his hands. ‘All of them – Alex, Marie, Carina, Bruno. It was just after the motorbike had left. Then there was a fight.’