Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

‘I didn’t mean to . . .’ He bumps into the wall and Anna raises a hand to slap his face, sees him recoil.

‘Mum!’ Agnes appears beside Milo, looking both shocked and furious. ‘What the hell are you doing?’

Anna lowers her hand as her anger is replaced by relief. Mats is still standing with his back pressed against the wall, palms outward as if he’s expecting a blow. Anna is ashamed of her behaviour.

‘I’m sorry,’ she says. ‘I thought . . . I d-didn’t know . . .’

Agnes goes over and gently touches Mats on the shoulder, which makes him lower his arms. She gives Anna a filthy look.

‘I saw the V-Vespa. You d-didn’t answer your ph-phone.’

She is gasping for air, trying to compose herself. Make sense of the situation, find a logical explanation. She fills her lungs with air, breathes in through her mouth, out through her nose several times before turning to Mats.

‘I do apologise,’ she says with exaggerated care. ‘I saw Agnes’s Vespa on the back of your truck and I thought something had happened to her. She didn’t answer her phone, and when I saw you and Milo with that . . .’ She points to the dog who is sitting quietly with his head on one side, the rabbit still clutched in his jaws.

Mats stares at her as if he can’t quite decide whether she’s telling the truth. He looks at Agnes, then at Milo, then back at Anna.

‘I’m sorry, Mats,’ she says again. ‘I’m a mother hen.’

He nods, then gives a wry smile. ‘Hens aren’t too bad. Wild boar are worse. You don’t want to get between a sow and her young.’

‘No?’ She returns his smile.

‘No, that can be fatal.’ He nods wisely.

Anna turns to Agnes. ‘Sorry. Why is your phone switched off?’

Agnes holds up her phone; there is a large crack across the screen.

‘Milo was in such a hurry when I got home that he tripped me up. I dropped my phone on the step. Then Mats arrived – he’s the one who’s been leaving the rabbits for Milo.’

Mats is grinning now. ‘I have a smoker at the back. My sister’s dogs love smoked rabbit. Something to gnaw on – good for their teeth.’

‘Right,’ Anna says; even she can hear how foolish she sounds. ‘Well, at least the mystery of the rabbits is solved.’ She ventures a smile at Agnes; no response. ‘So, what are you doing here?’

‘Mats wondered if I’d like to photograph his collection. I had nothing better to do.’

‘Collection?’

Agnes has no intention of explaining, but Mats steps forward and opens a door. ‘Down there. You’re welcome to take a look.’

*