Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

She doesn’t need to look, but glances down anyway. The photo shows a grey box with wires and cables coming out of the back, and a display on the front. An infusion pump with smooth rubber buttons. If they are pressed in a certain sequence, the morphine will flow freely and Håkan will no longer feel any pain.

Three, three, seven, five, nine, two. Select.

‘Did you do it?’ the investigator asks. ‘Did you murder your husband?’

*

Anna wakes to find she is holding her breath. It is early in the morning, wet and windy. She pulls on her raincoat and goes outside to get rid of the traces of what Agnes has begun to refer to as the Rabbit Mystery. She was too tired to deal with it last night. She’s glad that Agnes regards it as some kind of joke; she herself is not so sure. She gingerly picks up a disembowelled rabbit in each hand and heads for the outbuilding and the bins. As she gets closer she sees Bror Klein’s pickup truck parked around the corner. The door of the outbuilding is wide open, and she can hear someone rummaging around inside. She calls out ‘Hello?’ knocks on the door frame and steps inside. Presumably this place used to be a garage back in the day, but now it looks like a rubbish dump. The air smells of dampness and rust, and the floor is covered with scrap. The metal shelves lining the walls are crammed with tins of paint, bottles and boxes. At the far end of the room there is a small, dark doorway – that’s where the noise is coming from.

‘Hello!’ she calls out again. The noise stops and Klein appears.

‘Oh,’ he says, looking uncomfortable. ‘I just came to collect a couple of things. I didn’t want to disturb you at this early hour.’

‘No problem.’

They stand there in silence.

‘Er – are you settling in OK?’

Klein’s attempt at small talk surprises her. ‘We are. It’s so quiet, and so beautiful. Exactly what we need.’

Klein nods. ‘And how about work? How’s it going with Henry Morell? Has he handed over the reins?’

‘I think it’s gone pretty well so far. I take over first thing tomorrow morning.’ The first sentence grates a little; she can’t help thinking back to the previous evening’s events.

Klein nods again; he seems to have run out of topics of conversation. Anna’s eyes have grown accustomed to the gloom, and she can see something large and blue further down the room. ‘Is that Karl-Johan’s slide?’ she asks.

Klein gives a start – almost imperceptible, but enough for her experienced eye to pick up. ‘How do you know about that?’

‘Göran told me when he delivered Agnes’s moped.’

‘He talks too much. Always has done.’