Back Deeds of Autumn
Chapters (71)
  1. Cover
  2. Dedication
  3. Epigraph
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Author’s Note
  70. Extract from Rites of Spring
  71. About the Author

‘Same thing happened to me, although I was going in the opposite direction,’ she says. ‘That guy drives like an idiot.’

‘Mm. When was this?’

She thinks back. ‘Wednesday evening.’

‘And you’re sure it was the same truck?’

‘I didn’t see the registration number, but it looked identical, and it had one of those telescopic crane things on the back. Why do you ask?’

‘No particular reason.’

There is a brief silence while she tries to work out why he’s lying to her. The presence of the pickup means something to Call-me. Something important.

‘It’s a drilling machine,’ he adds. ‘That thing on the back. Glarea use it to take samples.’

‘I presume they’re looking for a new source to replace the one down in the village,’ Anna says, keen to show that’s she’s already up to speed with local issues.

Call-me doesn’t answer. He is frowning slightly, which she hasn’t seen before. Even though he changes the subject and chats away for another ten minutes, the frown still lingers when they reach the park.

The festivities are just the way Alex Morell described them. A travelling funfair with a shooting range, chocolate wheel and three rides that all look lethal. Nedanås’s sports association is running the tombola, plus a coffee and hot dog stall. Even the promised bouncy castle is there on one side of the large gravelled courtyard. The other three sides are occupied by an outdoor stage, a dance floor and a party room. Up on the stage the accordion club are playing a jolly tune, and the smell of candy floss, popcorn and doughnuts fills the air. The place is packed – there must be a thousand people here.

Erik and Agnes soon disappear among the crowds, leaving Anna alone with Call-me. She nods a greeting to two uniformed officers, and congratulates herself on remembering their names.

The accordion group has finished, and a voice informs the audience that they were the final act in the talent show. Three people, presumably the judges, begin what looks like an amused discussion at one corner of the stage. The first judge is Bengt Andersson, the second his daughter, Marie. The third, however, is something else altogether. From a distance she looks like a Hollywood star, with hair extensions, lip fillers, high-heeled boots and a fake fur coat – totally out of place, both on that stage and in Nedanås in general.

‘Who’s that?’ she asks Call-me.

‘Caia Bianca – I thought you’d recognise her.’

She shakes her head, realising this is the woman whose picture Agnes showed her.