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Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

When I turn the body a little more I’m surprised by what at first looks like a necrotic tattoo.

“What the hell?” Marino says.

“Her pendant,” it dawns on me.

CHAPTER 31

THE BURN IS SHAPED like a skull.

“You can see the face. Well almost,” I show Marino as we change our gloves, and we have a red biohazard trash bag full of soiled ones by now. “You can make out an eye and part of the grin, at any rate.”

“Was she wearing the necklace backward when you ran into her?” He blots sweat on his chin with a paper towel, careful not to drip anywhere important, including the body.

“I wouldn’t think so because I noticed the gold pendant was a skull with a whimsical face.”

“Then it had to be turned over when it burned her, and it had to be inside her shirt so it was directly against her skin.” He states what he wants to be true.

Marino doesn’t want to think anything that might feed into his phobia of things that creak, groan and go clank in the night. He’s getting spooked. I would expect as much after today, and it seems far from over.

“If you saw an injury like this and had no idea?” He goes on and on about it. “In the Salem days this would get you hung as a witch. They’d say it had to be a witch who zapped this person, and you’d better hope you never gave whoever it was the evil eye.”

“Well fortunately we don’t live in those days. But you’re right. I probably would have been hanged as a witch.” I pick up my hand lens, and he takes close-up photographs of the burn.

Dry and dark reddish brown, the partial impression of the skull’s grinning face was caused by sparing when the metal pendant got extremely hot. The debossed or depressed mouth and an eye weren’t in contact with skin, and those areas aren’t burned. They’ve remained pale, explaining what looks somewhat like a grotesque emoji in the middle of Elisa Vandersteel’s upper back. Even I would be the first to say that it’s bizarre.

“It looks like a dead head.” Marino’s eyes race around. “Like something supernatural, like a stigma.”

He means a death’s-head and a stigmata, and the burn only looks like that if one knows what caused it.

“Can you help me hold her please?” Sweat runs down my chest, my belly, between my thighs, and the scrubs under my coveralls are soaking wet.

Squatting across from me, Marino steadies the body as I turn it completely on one side to give me a better look from head to toe, front and back.