Back Chaos Save as PDF
Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

“That’s weird too,” he says about the delicate whitish linear burns I find on the right shoulder and posterior base of the neck. “More of the same thing she’s got on her stiff right wrist, and they’re on the same side of her body. But if they’re burns, they don’t look anything like the one here.” He indicates the angry red wound caused by the pendant.

I explain that when burns look leathery and white it usually indicates full thickness or third degree. I suspect that these whitish linear marks are from direct contact with whatever may have electrocuted her.

“Such as wires.” I give him a hypothetical. “Except they would have to be very fine, almost hairlike.”

“What wires?” Marino looks around nervously as if they might be close enough to get him.

“I have no idea—assuming that’s what we’re dealing with,” as I notice she has something in the interior pocket of her blue running shorts. “The other burn is from the gold pendant making contact with this same electrical source. That’s my guess.”

Digging my fingers under the waistband, I find the small interior pocket and the hard flat shape inside it. I pull out a black plastic fob that appears to have a serial number on it.

“Bingo. Maybe it’s the key to where she lives,” Marino says as I drop the fob in an evidence bag I hand to him.

I get up and look around at the trees, the lamp, the trail of exploded glass. I try to come up with what could have been long and linear like fine wires that she might have come in contact with as she rode her bicycle out here. I think of her pedaling through the shadows, through the stifling heat, perhaps getting anxious and weary as it got later and darker.

Then suddenly something sears her bare right shoulder, the back of her neck, scorching her between her shoulder blades. It must have been excruciatingly painful and terrifying as she frantically grabbed at whatever it was, burning and shocking her right hand. It must have felt as if she were being attacked by an invisible swam of hornets, and that might be the last thing she was conscious of as her bike went down and she was thrown clear.

Such a scenario could explain the linear burns, and it could account for her asymmetrical rigor. A powerful electrical current striking a gold pendant and passing through her body would have heated up moisture, turning it to steam, and that could have blown off and damaged her shoes and clothing. Heat could have broken the gold chain we recovered, and I check her neck again, looking for any sign the chain burned her before it broke free.