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Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

I don’t recall that the cyclist’s T-shirt was torn. But I wasn’t looking carefully. At the time I had no reason to make a mental note of her every detail as if I were filling out an investigative report in advance.

“We’ll figure that out when we get it to the labs,” I reply. “But what I can tell you with certainty right now is there are multiple tears in the shirt and it’s covered with vomit.”

“Then what? How did it end up in the bushes? The answer is: It didn’t walk here by itself. And there’s a lot of disturbed dead leaves and soil back here.”

He looks in the direction of the twin sisters. I can see Officer Flanders’s back, and the moving beam of her flashlight as she’s about to reach them.

“Come on.” Marino steps out of the bushes, onto the grass. “Let’s go find out what the hell they did.”

CHAPTER 19

I INTRODUCE MYSELF AS KAY Scarpetta, which means nothing to them.

I don’t say I’m a doctor, a Ms. or a Mrs. Maybe I’m a cop. Maybe I work with social services. I suppose I could pass for Marino’s girlfriend. I can’t tell what the twins think of me or what assumptions they might make about my reason for showing up to chat with them about a dead body they stumbled upon.

“How are you both holding up?” I set down my scene case and smile.

“Fine.”

They look flushed and tired but from what I understand they’ve refused every opportunity to sit in an air-conditioned car. They’re content to stand outside in the hot dark night, and it occurs to me they might crave attention. I have a feeling they spend much of their time picked on or ignored, and I wouldn’t be surprised if they put up with more than their share of being ostracized and bullied.

“She’d like to ask you a few things,” Marino says to them about me. “Then we’ll get you someplace where you can get cool, have a nice drink, a snack. How would you like to see what a real police department looks like?”

“Okay,” one of them says.

“Where are the TV cameras?” the other asks. “How come this isn’t on the news? It should be on the news!”

“We don’t want any TV cameras or reporters here right now,” Marino replies.

“But why aren’t they?”

“Because I’m in charge,” Marino says flatly. “That nice lady officer you were with a few minutes ago? Officer Flanders is going to give you a ride to my headquarters in her police car.”

“Are we in trouble?”

“Why would you be in trouble?” Marino asks.

“Because somebody’s dead.”

“Because somebody did something bad.”