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Chapters (55)
  1. Title Page
  2. Dedication
  3. Epigraph
  4. PROLOGUE
  5. CHAPTER 1
  6. CHAPTER 2
  7. CHAPTER 3
  8. CHAPTER 4
  9. CHAPTER 5
  10. CHAPTER 6
  11. CHAPTER 7
  12. CHAPTER 8
  13. CHAPTER 9
  14. CHAPTER 10
  15. CHAPTER 11
  16. CHAPTER 12
  17. CHAPTER 13
  18. CHAPTER 14
  19. CHAPTER 15
  20. CHAPTER 16
  21. CHAPTER 17
  22. CHAPTER 18
  23. CHAPTER 19
  24. CHAPTER 20
  25. CHAPTER 21
  26. CHAPTER 22
  27. CHAPTER 23
  28. CHAPTER 24
  29. CHAPTER 25
  30. CHAPTER 26
  31. CHAPTER 27
  32. CHAPTER 28
  33. CHAPTER 29
  34. CHAPTER 30
  35. CHAPTER 31
  36. CHAPTER 32
  37. CHAPTER 33
  38. CHAPTER 34
  39. CHAPTER 35
  40. CHAPTER 36
  41. CHAPTER 37
  42. CHAPTER 38
  43. CHAPTER 39
  44. CHAPTER 40
  45. CHAPTER 41
  46. CHAPTER 42
  47. CHAPTER 43
  48. CHAPTER 44
  49. CHAPTER 45
  50. CHAPTER 46
  51. CHAPTER 47
  52. If you enjoyed CHAOS, try:
  53. About the Author
  54. ALSO BY PATRICIA CORNWELL
  55. About the Publisher

As I lift her arm I notice that on top of her wrist is a peculiar whitish linear burn about three inches long and so fine it’s as if she were scorched by a fiery spiderweb. It wasn’t noticeable when her arm was raised over her head, so I’m just now seeing it, and I wonder if her right hand was near her hair when it got singed. If so, what did she come in contact with? Marino takes photographs, and I show him that the right wrist and hand are as rigid as iron.

“Yet rigor’s only moderately advanced in her right elbow and shoulder.” I lift her arm again to demonstrate. “It’s barely noticeable in other small muscles and not apparent anywhere else including her left arm.” I move that too. “I assume when Investigator Barclay checked for a pulse, the wrist he touched was her right one.”

“I’m going to ask him,” Marino says. “But that’s the only thing that adds up. And from that he decided she was in full rigor all over.”

“She’s not, and it would have been even less advanced a few hours ago. She would have been limber except for this.” I indicate her right hand and wrist. “And I’m reminded of what we see in an electrocution when the victim touched something like a hot wire—and that’s what the white mark looks like on her anterior wrist. It looks like a burn from touching something extremely hot, the kind of burn you get when you scorch yourself on the red-hot burner of a stove.”

“But a burn wouldn’t give you instant rigor,” Marino says. “And that’s what this is even though I’m not sure I’ve ever seen it in person before.”

A cadaveric spasm or “instant rigor” supposedly can occur when the death is preceded by a violent expenditure of energy that depletes muscles of oxygen and adenosine triphosphate (ATP). And the result is rigidity. The phenomenon is rare and believed by many experts to be apocryphal. But for sure something odd has happened here.

“So if her right hand was in contact with an electrical current,” I tell Marino, “theoretically this could cause the muscles to continuously contract or clench, to go into what’s known as tetany.”

I pull the body partially on its side, just enough to check the back for livor mortis, or the settling of uncirculating blood due to gravity. I see only a slight pink blush. When I press down my thumb, the skin still blanches. Livor is in the early stages, and this also is consistent with her not having been dead very long.

There’s also no question that when she landed on the ground she was either shirtless or her shirt was bunched up. Her back has the scratches and abrasions I’d expect in a bicycle accident, and there’s dirt on her white sports bra.