Back Burns Save as PDF
Contents (73)
  1. CONTENTS
  2. INTRODUCTION
  3. FOLK-TALES FOR AN ENLIGHTENED AGE
  4. DEATH AND DOCTOR HORNBOOK A True Story
  5. TO A MOUSE
  6. THE TWA DOGS A Tale
  7. HALLOWEEN
  8. ADDRESS TO THE DEIL
  9. TO A LOUSE
  10. ADDRESS OF BEELZEBUB
  11. TAM O’ SHANTER A Tale
  12. RELIGIOUS SENTIMENT AND SATIRE
  13. A PRAYER, IN THE PROSPECT OF DEATH
  14. HOLY WILLIE’S PRAYER
  15. THE HOLY FAIR
  16. THE COTTER’S SATURDAY NIGHT Inscribed to R. Aiken, Esq.
  17. PRAYER – O THOU DREAD POWER
  18. EPIGRAM TO MISS AINSLIE IN CHURCH
  19. LOVE AND SEX
  20. THE RIGS O BARLEY Tune: Corn rigs are bonie
  21. MARY MORISON Tune: Duncan Davison
  22. GREEN GROW THE RASHES, O
  23. A POET’S WELCOME TO HIS LOVE-BEGOTTEN DAUGHTER
  24. THE FORNICATOR Tune: Clout the Cauldron
  25. THE JOLLY BEGGARS – A CANTATA
  26. THE LASS O BALLOCHMYLE Tune: Ettrick Banks
  27. LIBEL SUMMONS
  28. CA’ THE YOWES TO THE KNOWES
  29. AULD LANG SYNE
  30. YESTREEN I HAD A PINT O WINE Tune: Banks of Banna
  31. AE FOND KISS Tune: Rory Dall’s Port
  32. HIGHLAND MARY Tune: Katherine Ogie
  33. A RED RED ROSE
  34. O, WERT THOU IN THE CAULD BLAST Tune: Lenox love to Blantyre
  35. COMIN THRO THE RYE Tune: Miller’s Wedding
  36. WHA’LL MOW ME NOW? Tune: Comin thro the rye
  37. O SAW YE MY MAGGIE
  38. CONTEMPORARY POLITICS
  39. BALLAD ON THE AMERICAN WAR Tune: Killiecrankie
  40. A DREAM
  41. THE FÊTE CHAMPETRE Tune: Killiecrankie
  42. ODE ON THE DEPARTED REGENCY BILL
  43. THE RIGHTS OF WOMAN Spoken by Miss Fontenelle on her benefit night
  44. WHY SHOULDNA POOR FOLK MOWE Tune: The Campbells are comin
  45. SCOTS WHA HAE Tune: Hey Tutti Tatie
  46. ODE FOR GENERAL WASHINGTON’S BIRTHDAY
  47. A MAN’S A MAN FOR A’ THAT
  48. DOES HAUGHTY GAUL INVASION THREAT? Tune: Push about the Jorum
  49. SCOTTISH CULTURAL HISTORY
  50. SCOTCH DRINK
  51. ADDRESS TO A HAGGIS
  52. LINES ON FERGUSSON, THE POET
  53. THE BONIE MOOR-HEN Tune: Beware of the Hunting
  54. JOHNIE COPE
  55. MY HEART’S IN THE HIGHLANDS Tune: Failte na miosg
  56. AWA, WHIGS, AWA
  57. THE WHITE COCKADE
  58. LAMENT OF MARY QUEEN OF SCOTS ON THE APPROACH OF SPRING
  59. THERE’LL NEVER BE PEACE TILL JAMIE COMES HAME
  60. YE JACOBITES BY NAME
  61. SUCH A PARCEL OF ROGUES IN A NATION
  62. OCCASIONAL AND BIOGRAPHICAL VERSE
  63. I’LL GO AND BE A SODGER
  64. MY FATHER WAS A FARMER Tune: The Weaver and his Shuttle, O
  65. THE DEATH AND DYING WORDS OF POOR MAILIE, THE AUTHOR’S ONLY PET YOWE
  66. EPITAPH ON MY HONOURED FATHER
  67. EPISTLE TO DAVIE, A BROTHER POET
  68. EPISTLE TO J. LAPRAIK
  69. THE AULD FARMER’S NEW-YEAR MORNING SALUTATION TO HIS AULD MARE, MAGGIE
  70. LINES WRITTEN ON A BANK-NOTE
  71. THE FAREWELL
  72. REPLY TO A TRIMMING EPISTLE RECEIVED FROM A TAYLOR
  73. SELECT SCOTS GLOSSARY

Wi monie a weary body,

In droves that day.

Here farmers gash, in ridin graith,

Gaed hoddin by their cotters;

There swankies young, in braw braid-claith,

Are springin owre the gutters.

The lasses, skelpin barefit, thrang,

In silks an scarlets glitter;

Wi sweet-milk cheese, in monie a whang,

An farls, bakd wi butter,

Fu crump that day.

When by the plate we set our nose,

Weel heaped up wi ha’pence,

A greedy glowr black-bonnet throws,

An we maun draw our tippence.

Then in we go to see the show:

On ev’ry side they’re gath’rin,

Some carrying dails, some chairs an stools,

An some are busy bleth’rin

Right loud that day.

Here stands a shed to fend the show’rs,

An screen our countra gentry:

There Racer Jess, an twa-three whores,

Are blinkin at the entry.

Here sits a raw o tittlin jads,

Wi heavin breasts an bare neck;

An there a batch o wabster lads,

Blackguardin frae Kilmarnock,

For fun this day.

Here some are thinkin on their sins,

An some upon, their claes;

Ane curses feet that fyl’d his shins,

Anither sighs an prays:

On this hand sits a chosen swatch,

Wi screw’d-up, grace-proud faces;

On that a set o chaps, at watch,

Thrang winkin on the lasses

To chairs that day.

O happy is that man, an blest!

Nae wonder that it pride him!

Whase ain dear lass, that he likes best,

Comes clinkin down beside him!

Wi arm repos’d on the chair back,

He sweetly does compose him;

Which, by degrees, slips round her neck,

An’s loof upon her bosom,

Unkend that day.

Now a’ the congregation oer

Is silent expectation:

For Moodie speels the holy door,

Wi tidings o damnation:

Should Hornie, as in ancient days,

’Mang sons o God present him,

The vera sight o Moodie’s face,

To’s ain het hame had sent him

Wi fright that day.

Hear how he clears the points o Faith

Wi rattlin an thumpin!

Now meekly calm, now wild in wrath,

He’s stampin, an he’s jumpin!

His lengthen’d chin, his turn’d-up snout,

His eldritch squeel an gestures,

O how they fire the heart devout,

Like cantharidian plaisters

On sic a day!

But hark! the tent has chang’d its voice;

There’s peace an rest nae langer;

For a’ the real judges rise,

They canna sit for anger,

Smith opens out his cauld harangues,

On practice and on morals;

An aff the godly pour in thrangs,

To gie the jars an barrels

A lift that day.

What signifies his barren shine,

Of moral powers an reason?

His English style, an gesture fine

Are a’ clean out o season.

Like Socrates or Antonine,

Or some auld pagan heathen,

The moral man he does define,

But ne’er a word o faith in

That’s right that day.

In guid time comes an antidote

Against sic poison’d nostrum;

For Peebles, frae the water-fit,

Ascends the holy rostrum:

See, up he’s got the word o God,

An meek an mim has view’d it,

While Common-sense has taen the road