Contents (73)
- CONTENTS
- INTRODUCTION
- FOLK-TALES FOR AN ENLIGHTENED AGE
- DEATH AND DOCTOR HORNBOOK A True Story
- TO A MOUSE
- THE TWA DOGS A Tale
- HALLOWEEN
- ADDRESS TO THE DEIL
- TO A LOUSE
- ADDRESS OF BEELZEBUB
- TAM O’ SHANTER A Tale
- RELIGIOUS SENTIMENT AND SATIRE
- A PRAYER, IN THE PROSPECT OF DEATH
- HOLY WILLIE’S PRAYER
- THE HOLY FAIR
- THE COTTER’S SATURDAY NIGHT Inscribed to R. Aiken, Esq.
- PRAYER – O THOU DREAD POWER
- EPIGRAM TO MISS AINSLIE IN CHURCH
- LOVE AND SEX
- THE RIGS O BARLEY Tune: Corn rigs are bonie
- MARY MORISON Tune: Duncan Davison
- GREEN GROW THE RASHES, O
- A POET’S WELCOME TO HIS LOVE-BEGOTTEN DAUGHTER
- THE FORNICATOR Tune: Clout the Cauldron
- THE JOLLY BEGGARS – A CANTATA
- THE LASS O BALLOCHMYLE Tune: Ettrick Banks
- LIBEL SUMMONS
- CA’ THE YOWES TO THE KNOWES
- AULD LANG SYNE
- YESTREEN I HAD A PINT O WINE Tune: Banks of Banna
- AE FOND KISS Tune: Rory Dall’s Port
- HIGHLAND MARY Tune: Katherine Ogie
- A RED RED ROSE
- O, WERT THOU IN THE CAULD BLAST Tune: Lenox love to Blantyre
- COMIN THRO THE RYE Tune: Miller’s Wedding
- WHA’LL MOW ME NOW? Tune: Comin thro the rye
- O SAW YE MY MAGGIE
- CONTEMPORARY POLITICS
- BALLAD ON THE AMERICAN WAR Tune: Killiecrankie
- A DREAM
- THE FÊTE CHAMPETRE Tune: Killiecrankie
- ODE ON THE DEPARTED REGENCY BILL
- THE RIGHTS OF WOMAN Spoken by Miss Fontenelle on her benefit night
- WHY SHOULDNA POOR FOLK MOWE Tune: The Campbells are comin
- SCOTS WHA HAE Tune: Hey Tutti Tatie
- ODE FOR GENERAL WASHINGTON’S BIRTHDAY
- A MAN’S A MAN FOR A’ THAT
- DOES HAUGHTY GAUL INVASION THREAT? Tune: Push about the Jorum
- SCOTTISH CULTURAL HISTORY
- SCOTCH DRINK
- ADDRESS TO A HAGGIS
- LINES ON FERGUSSON, THE POET
- THE BONIE MOOR-HEN Tune: Beware of the Hunting
- JOHNIE COPE
- MY HEART’S IN THE HIGHLANDS Tune: Failte na miosg
- AWA, WHIGS, AWA
- THE WHITE COCKADE
- LAMENT OF MARY QUEEN OF SCOTS ON THE APPROACH OF SPRING
- THERE’LL NEVER BE PEACE TILL JAMIE COMES HAME
- YE JACOBITES BY NAME
- SUCH A PARCEL OF ROGUES IN A NATION
- OCCASIONAL AND BIOGRAPHICAL VERSE
- I’LL GO AND BE A SODGER
- MY FATHER WAS A FARMER Tune: The Weaver and his Shuttle, O
- THE DEATH AND DYING WORDS OF POOR MAILIE, THE AUTHOR’S ONLY PET YOWE
- EPITAPH ON MY HONOURED FATHER
- EPISTLE TO DAVIE, A BROTHER POET
- EPISTLE TO J. LAPRAIK
- THE AULD FARMER’S NEW-YEAR MORNING SALUTATION TO HIS AULD MARE, MAGGIE
- LINES WRITTEN ON A BANK-NOTE
- THE FAREWELL
- REPLY TO A TRIMMING EPISTLE RECEIVED FROM A TAYLOR
- SELECT SCOTS GLOSSARY
Wi monie a weary body,
In droves that day.
Here farmers gash, in ridin graith,
Gaed hoddin by their cotters;
There swankies young, in braw braid-claith,
Are springin owre the gutters.
The lasses, skelpin barefit, thrang,
In silks an scarlets glitter;
Wi sweet-milk cheese, in monie a whang,
An farls, bakd wi butter,
Fu crump that day.
When by the plate we set our nose,
Weel heaped up wi ha’pence,
A greedy glowr black-bonnet throws,
An we maun draw our tippence.
Then in we go to see the show:
On ev’ry side they’re gath’rin,
Some carrying dails, some chairs an stools,
An some are busy bleth’rin
Right loud that day.
Here stands a shed to fend the show’rs,
An screen our countra gentry:
There Racer Jess, an twa-three whores,
Are blinkin at the entry.
Here sits a raw o tittlin jads,
Wi heavin breasts an bare neck;
An there a batch o wabster lads,
Blackguardin frae Kilmarnock,
For fun this day.
Here some are thinkin on their sins,
An some upon, their claes;
Ane curses feet that fyl’d his shins,
Anither sighs an prays:
On this hand sits a chosen swatch,
Wi screw’d-up, grace-proud faces;
On that a set o chaps, at watch,
Thrang winkin on the lasses
To chairs that day.
O happy is that man, an blest!
Nae wonder that it pride him!
Whase ain dear lass, that he likes best,
Comes clinkin down beside him!
Wi arm repos’d on the chair back,
He sweetly does compose him;
Which, by degrees, slips round her neck,
An’s loof upon her bosom,
Unkend that day.
Now a’ the congregation oer
Is silent expectation:
For Moodie speels the holy door,
Wi tidings o damnation:
Should Hornie, as in ancient days,
’Mang sons o God present him,
The vera sight o Moodie’s face,
To’s ain het hame had sent him
Wi fright that day.
Hear how he clears the points o Faith
Wi rattlin an thumpin!
Now meekly calm, now wild in wrath,
He’s stampin, an he’s jumpin!
His lengthen’d chin, his turn’d-up snout,
His eldritch squeel an gestures,
O how they fire the heart devout,
Like cantharidian plaisters
On sic a day!
But hark! the tent has chang’d its voice;
There’s peace an rest nae langer;
For a’ the real judges rise,
They canna sit for anger,
Smith opens out his cauld harangues,
On practice and on morals;
An aff the godly pour in thrangs,
To gie the jars an barrels
A lift that day.
What signifies his barren shine,
Of moral powers an reason?
His English style, an gesture fine
Are a’ clean out o season.
Like Socrates or Antonine,
Or some auld pagan heathen,
The moral man he does define,
But ne’er a word o faith in
That’s right that day.
In guid time comes an antidote
Against sic poison’d nostrum;
For Peebles, frae the water-fit,
Ascends the holy rostrum:
See, up he’s got the word o God,
An meek an mim has view’d it,
While Common-sense has taen the road