Contents ( 73)
- CONTENTS
- INTRODUCTION
- FOLK-TALES FOR AN ENLIGHTENED AGE
- DEATH AND DOCTOR HORNBOOK A True Story
- TO A MOUSE
- THE TWA DOGS A Tale
- HALLOWEEN
- ADDRESS TO THE DEIL
- TO A LOUSE
- ADDRESS OF BEELZEBUB
- TAM O’ SHANTER A Tale
- RELIGIOUS SENTIMENT AND SATIRE
- A PRAYER, IN THE PROSPECT OF DEATH
- HOLY WILLIE’S PRAYER
- THE HOLY FAIR
- THE COTTER’S SATURDAY NIGHT Inscribed to R. Aiken, Esq.
- PRAYER – O THOU DREAD POWER
- EPIGRAM TO MISS AINSLIE IN CHURCH
- LOVE AND SEX
- THE RIGS O BARLEY Tune: Corn rigs are bonie
- MARY MORISON Tune: Duncan Davison
- GREEN GROW THE RASHES, O
- A POET’S WELCOME TO HIS LOVE-BEGOTTEN DAUGHTER
- THE FORNICATOR Tune: Clout the Cauldron
- THE JOLLY BEGGARS – A CANTATA
- THE LASS O BALLOCHMYLE Tune: Ettrick Banks
- LIBEL SUMMONS
- CA’ THE YOWES TO THE KNOWES
- AULD LANG SYNE
- YESTREEN I HAD A PINT O WINE Tune: Banks of Banna
- AE FOND KISS Tune: Rory Dall’s Port
- HIGHLAND MARY Tune: Katherine Ogie
- A RED RED ROSE
- O, WERT THOU IN THE CAULD BLAST Tune: Lenox love to Blantyre
- COMIN THRO THE RYE Tune: Miller’s Wedding
- WHA’LL MOW ME NOW? Tune: Comin thro the rye
- O SAW YE MY MAGGIE
- CONTEMPORARY POLITICS
- BALLAD ON THE AMERICAN WAR Tune: Killiecrankie
- A DREAM
- THE FÊTE CHAMPETRE Tune: Killiecrankie
- ODE ON THE DEPARTED REGENCY BILL
- THE RIGHTS OF WOMAN Spoken by Miss Fontenelle on her benefit night
- WHY SHOULDNA POOR FOLK MOWE Tune: The Campbells are comin
- SCOTS WHA HAE Tune: Hey Tutti Tatie
- ODE FOR GENERAL WASHINGTON’S BIRTHDAY
- A MAN’S A MAN FOR A’ THAT
- DOES HAUGHTY GAUL INVASION THREAT? Tune: Push about the Jorum
- SCOTTISH CULTURAL HISTORY
- SCOTCH DRINK
- ADDRESS TO A HAGGIS
- LINES ON FERGUSSON, THE POET
- THE BONIE MOOR-HEN Tune: Beware of the Hunting
- JOHNIE COPE
- MY HEART’S IN THE HIGHLANDS Tune: Failte na miosg
- AWA, WHIGS, AWA
- THE WHITE COCKADE
- LAMENT OF MARY QUEEN OF SCOTS ON THE APPROACH OF SPRING
- THERE’LL NEVER BE PEACE TILL JAMIE COMES HAME
- YE JACOBITES BY NAME
- SUCH A PARCEL OF ROGUES IN A NATION
- OCCASIONAL AND BIOGRAPHICAL VERSE
- I’LL GO AND BE A SODGER
- MY FATHER WAS A FARMER Tune: The Weaver and his Shuttle, O
- THE DEATH AND DYING WORDS OF POOR MAILIE, THE AUTHOR’S ONLY PET YOWE
- EPITAPH ON MY HONOURED FATHER
- EPISTLE TO DAVIE, A BROTHER POET
- EPISTLE TO J. LAPRAIK
- THE AULD FARMER’S NEW-YEAR MORNING SALUTATION TO HIS AULD MARE, MAGGIE
- LINES WRITTEN ON A BANK-NOTE
- THE FAREWELL
- REPLY TO A TRIMMING EPISTLE RECEIVED FROM A TAYLOR
- SELECT SCOTS GLOSSARY
The Deil had business on his hand.
Weel mounted on his gray mare, Meg,
A better never lifted leg,
Tam skelpit on thro dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his guid blue bonnet,
Whiles crooning o’er an auld Scots sonnet,
Whiles glow’ring round wi prudent cares,
Lest bogles catch him unawares:
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry. –
By this time he was cross the ford,
Whare in the snaw the chapman smoor’d;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro the whins, and by the cairn,
Whare hunters fand the murder’d bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hang’d hersel.
Before him Doon pours all his floods;
The doubling storm roars thro the woods;
The lightnings flash from pole to pole,
Near and more near the thunders roll:
When, glimmering thro the groaning trees,
Kirk-Alloway seem’d in a bleeze;
Thro ilka bore the beams were glancing,
And loud resounded mirth and dancing. –
Inspiring bold John Barleycorn!
What dangers thou canst make us scorn!
Wi tippenny, we fear nae evil;
Wi usquabae, we’ll face the Devil! –
The swats sae ream’d in Tammie’s noddle,
Fair play, he car’d na deils a boddle.
But Maggie stood, right sair astonish’d,
Till, by the heel and hand admonish’d,
She ventur’d forward on the light;
And, vow! Tam saw an unco sight!
Warlocks and witches in a dance:
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat Auld Nick, in shape o beast;
A touzie tyke, black, grim and large,
To gie them music was his charge:
He screw’d the pipes and gart them skirl,
Till roof and rafters a’ did dirl.
Coffins stood round, like open presses,
That shaw’d the dead in their last dresses;
And, by some devilish cantraip sleight,
Each in its cauld hand held a light:
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes, in gibbet-airns;
Twa span-lang, wee, unchristen’d bairns;
A thief new-cutted frae a rape,
Wi his last gasp his gab did gape;
Five tomahawks, wi bluid red-rusted;
Five scymitars, wi murder crusted;
A garter which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o life bereft,
The grey-hairs yet stack to the heft;
Wi mair of horrible and awefu,
Which even to name wad be unlawfu.
As Tammie glowr’d, amaz’d and curious,
The mirth and fun grew fast and furious;
The piper loud and louder blew,
The dancers quick and quicker flew,
They reel’d, they set, they cross’d, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!
Now Tam, O Tam! had thae been queans,
A’ plump and strapping in their teens!
Their sarks, instead o creeshie flannen,
Been snaw-white seventeen hunder linen!