Chapters (54)
- Cover
- BRUTE
- BRUTE
- Copyright
- Dedication
- BRUTE
- I: MY HISTORY AS
- MY HISTORY AS
- BRUTE STRENGTH
- IT’S IMPOSSIBLE TO KEEP WHITE MOTHS
- I HAVE READ THE WHOLE MOON
- ELEGY WITHOUT A SINGLE TREE I CAN SAVE
- IN MARCH WHEN YOU TELL ME YOU DON’T
- [IN DEFEAT I WAS PERFECT]
- ELEGY WITH A SHIT-BROWN RIVER RUNNING THROUGH IT
- PHILADELPHIA
- THE BRUTE / BRUTE HEART
- II: GIRL SAINTS
- GIRL SAINTS
- DEAR KATIE
- ELEGY WITH FEATHERS
- DEAR RUTH
- [IT WASN’T ABOUT LOVE]
- ELEGY WITH SYMPTOMS
- INDICTMENT
- LETTER TO S, HOSPITAL
- RULES FOR A BODY COMING OUT OF WATER
- DEAR EMILY
- III: CIRCLE
- AUBADE WITH BOUNDARIES
- FOUR HAWKS
- HOW TO MEND A FAUCET DRIPPING THREAD
- ELEGY WITH BLACK SMOKE
- [FOR DAYS I WAS SILENT]
- ELEGY FOR R
- [REMARKABLE THE LITTER OF BIRDS]
- SELF-PORTRAIT WITH HAWK & ARMADA
- MARCH IS MARCH
- THANK YOU WHEN I’M AN AXE
- IV: BRIGHT LANDSCAPE
- NO, I DO NOT WANT TO CONNECT WITH YOU ON LINKEDIN
- CLEF
- BRUTE FORCE
- ELEGY WITH SYMPATHY
- AUBADE WITH ATTENTION TO PATHOS
- II.
- III.
- IV.
- V.
- FIGURE OF WOMAN COMING OUT OF A WALL
- ELEGY WITH RABBITS
- [EURYDICE]
- ACKNOWLEDGMENTS
- About the Author
from experience—Ecclesiastes. Help me understand, help me reverse
the pilgrims’ stories. Make them rise up out of their bone crypts
doubled with purpose—bloodied, believing—& send them to war
for their girl queens. War for their daughters hallelujah
as it wasn’t in the beginning isn’t now & never shall be
world without end. Oh but God my God Amen.
[IT WASN’T ABOUT LOVE]
It wasn’t about love I was giving a speech
I was saying This is about violence
Get over love, sure Bright landscape
It was a house that fell down I fell toward myself
I couldn’t see myself at the bottom I woke up on the dirt floor of the old cellar I had new limbs
New inadequate gestures of suffering Chimeric thing
Blurred reaching wings out
pelican mouth unfull but full of loathing
Would you describe that sound as wailing?
I was speaking I said I never want to survive that story again
It was explained to me that I was in danger
Someone was listening
If you say X then we’ll have to tell someone
I was speaking I didn’t say X
I said yes to a bottle I said yes
to the rope of my own hands
to a body to a body
I was only I was only
A body alone with its own blood blue
in its skin-tape
ELEGY WITH SYMPTOMS
Under cover of darkness, I consider the alternatives. High water. Firing squad. Infirmary. I’m angry with you for leaving me no particular method. Please note I am not giving up yet on the cliff road. What happens to a woman at 19 at 25 at 29 can make her vulnerable to flight. First the tripwires drop away from my fingers. Next I’m learning the names for the parts of a bell. Eggs crack. A chalk line darts up my arm. Here I am as a hairpin curve. Here I am as cyanide stowed away in an apple seed. I am looking for lost arrows. Girl tribes of the hinterland. For scales to fall away from the eyes of anything, anything. Please. I have learned the way rain rots thick in a barrel. Given the relevant texts, I am dangerous. Around me, black bats dive up in the dark. I’ve been wrong, I’ve been trying to pry off the planks from these windows. I am keeping the box that I came in. I am keeping my wrong blood—look at it vine through my wrist like a brand.
INDICTMENT
Didn’t I tell you & didn’t I tell you Emily
not to fight for the gospel of error
not to row out as far as the river goes
not to raise up your arms like a waxwing bird
like you’re free, like you’re everything
falling? You fall like it’s your fault,
like you know how to breathe
under milfoil & reeds. You look
like you’re already drowning