Chapters (54)
- Cover
- BRUTE
- BRUTE
- Copyright
- Dedication
- BRUTE
- I: MY HISTORY AS
- MY HISTORY AS
- BRUTE STRENGTH
- IT’S IMPOSSIBLE TO KEEP WHITE MOTHS
- I HAVE READ THE WHOLE MOON
- ELEGY WITHOUT A SINGLE TREE I CAN SAVE
- IN MARCH WHEN YOU TELL ME YOU DON’T
- [IN DEFEAT I WAS PERFECT]
- ELEGY WITH A SHIT-BROWN RIVER RUNNING THROUGH IT
- PHILADELPHIA
- THE BRUTE / BRUTE HEART
- II: GIRL SAINTS
- GIRL SAINTS
- DEAR KATIE
- ELEGY WITH FEATHERS
- DEAR RUTH
- [IT WASN’T ABOUT LOVE]
- ELEGY WITH SYMPTOMS
- INDICTMENT
- LETTER TO S, HOSPITAL
- RULES FOR A BODY COMING OUT OF WATER
- DEAR EMILY
- III: CIRCLE
- AUBADE WITH BOUNDARIES
- FOUR HAWKS
- HOW TO MEND A FAUCET DRIPPING THREAD
- ELEGY WITH BLACK SMOKE
- [FOR DAYS I WAS SILENT]
- ELEGY FOR R
- [REMARKABLE THE LITTER OF BIRDS]
- SELF-PORTRAIT WITH HAWK & ARMADA
- MARCH IS MARCH
- THANK YOU WHEN I’M AN AXE
- IV: BRIGHT LANDSCAPE
- NO, I DO NOT WANT TO CONNECT WITH YOU ON LINKEDIN
- CLEF
- BRUTE FORCE
- ELEGY WITH SYMPATHY
- AUBADE WITH ATTENTION TO PATHOS
- II.
- III.
- IV.
- V.
- FIGURE OF WOMAN COMING OUT OF A WALL
- ELEGY WITH RABBITS
- [EURYDICE]
- ACKNOWLEDGMENTS
- About the Author
Remember the dead dog we found on the bridge road. A coyote, I said.
Raised as I was near a cemetery, I always assume some authority
over the departed. Stray magic. Lies about the natural world
comfort me, I admit. Like if a tree feels something
when another tree is fucking up her life. I believe in patterns. Shapes.
Pinnate, whorled. I remember too the accordion doors of the Blue Line train
& the way it spit me out piss-drunk on the O’Hare platform crying
because I wasn’t sure if I’d hit him or if I’d only wanted to.
I was trying to starve myself out of a feeling. Signals & timelines.
& if the train comes out of the tunnel before I count to ten
then I’m not the most fucked thing. & if not, then when.
My own mouth bleeding is a nice round number.
On your couch I fall asleep with puke in my hair & I dream
that I’m trapped in a water tower. Katie, I wake up saying.
ELEGY WITH FEATHERS
When you’re gone I press my hand to the stove just once. Patches of blisters pearl on my palm. I have sense enough to put on my coat. On the boat I am called Red. I take every other phrase from an elocution book. I wear a high collar that rubs against my cheek & in the rain it leaves a scratch raised like a welt. I pretend not to know why you’re gone, pretend there is not the same sickness inside me. I try to explain about the curse for which the cure is not thinking. On the fourth day, notes on a disaster include water & water. A man on the boat follows me all day, just one question then I’ll leave you alone. There is nowhere a girl can go that a man like this won’t have a question. A trade he feels owed. There’s a hole in his glove & the skin underneath is peeled raw. A teakettle boils on the wind. Help me. On my knees I ask to be turned into a gull. I shift into white gloss, feathers.
DEAR RUTH
Anyone can be a plank-mouthed bird or anyone can be the sky hallelujah
is the accepted lie of hymns. Like a girl walking has never needed to fly
but could if she wanted. If winged & if the wings fit—if fielded, if felt.
What is the difference between asking & asking for it are the words
that we should burn into a field, Oh Glory. Whether you are lost
or whether you are the blondest bird leaned against a fence
hemming in an orchard, Ruth, you are the holy thing I look to.
So explain to me about the habits of cicadas, why only the men
speak, why it takes some of them 17 years to come correct.
All the leaves are eaten bare; yet the tree is not empty, we know