Chapters (54)
- Cover
- BRUTE
- BRUTE
- Copyright
- Dedication
- BRUTE
- I: MY HISTORY AS
- MY HISTORY AS
- BRUTE STRENGTH
- IT’S IMPOSSIBLE TO KEEP WHITE MOTHS
- I HAVE READ THE WHOLE MOON
- ELEGY WITHOUT A SINGLE TREE I CAN SAVE
- IN MARCH WHEN YOU TELL ME YOU DON’T
- [IN DEFEAT I WAS PERFECT]
- ELEGY WITH A SHIT-BROWN RIVER RUNNING THROUGH IT
- PHILADELPHIA
- THE BRUTE / BRUTE HEART
- II: GIRL SAINTS
- GIRL SAINTS
- DEAR KATIE
- ELEGY WITH FEATHERS
- DEAR RUTH
- [IT WASN’T ABOUT LOVE]
- ELEGY WITH SYMPTOMS
- INDICTMENT
- LETTER TO S, HOSPITAL
- RULES FOR A BODY COMING OUT OF WATER
- DEAR EMILY
- III: CIRCLE
- AUBADE WITH BOUNDARIES
- FOUR HAWKS
- HOW TO MEND A FAUCET DRIPPING THREAD
- ELEGY WITH BLACK SMOKE
- [FOR DAYS I WAS SILENT]
- ELEGY FOR R
- [REMARKABLE THE LITTER OF BIRDS]
- SELF-PORTRAIT WITH HAWK & ARMADA
- MARCH IS MARCH
- THANK YOU WHEN I’M AN AXE
- IV: BRIGHT LANDSCAPE
- NO, I DO NOT WANT TO CONNECT WITH YOU ON LINKEDIN
- CLEF
- BRUTE FORCE
- ELEGY WITH SYMPATHY
- AUBADE WITH ATTENTION TO PATHOS
- II.
- III.
- IV.
- V.
- FIGURE OF WOMAN COMING OUT OF A WALL
- ELEGY WITH RABBITS
- [EURYDICE]
- ACKNOWLEDGMENTS
- About the Author
To be rope ravel
winging out
of syncopation.
Tried trying.
Just once I wanted
to hit & hold the person
who could hit & hold
me down.
I wanted the bruise
& the voice that was sorry.
Terror to give up control—
terror to name it.
There was a bottle.
There was a bottleneck exit.
THE BRUTE / BRUTE HEART
After Pennsylvania, I couldn’t breathe.
—LUCIE BROCK-BROIDO
The facts are: I drove all night through the mountains to get away from him
I cut up my credit cards to prove I would not leave him
I woke up in the hospital
to bonesaw / brushfire / thralldom
the pieces were out of order there was glass in my cheek
I tried to swallow an entire bottle I tried to leave
without giving away my name I was not lost
I listed no forwarding address
There was a reason why I named the dog Valor
If I was silent I’d learned the virtue
of protecting my mouth at least
I was going home
to the house between the cemeteries
to the redbud the willow trees
the heavy muck-wet woods
I loved & in my absence
the house had been torn down
to make more space
for the dead
I stood there breathing
It felt like
sliding a hand through loose dirt looking
for tendrils & pockets of air
It’s easy to be angry
about how much hope there is
in reaching
The whole house gone
& so many little monuments
to the wrong thing
In the bare yard
all of my good trees
still framed the hole
where the house had been standing
In my new life whatever I claimed
I didn’t feel it was mine
How easily I could be a river dragged
a gray car raised up from the bottom dripping
Already I was on a string I could be lurched up
out of hiding & the evidence tagged
He took the money he said I made him crazy it was my fault
What was wrong with me how could I ever think
I could leave was I really so stupid he said
he would call the police
he set my furniture on fire he said
he would drive my dog to the pound if I went out
I’d like to say now that he was just a list of grievances
Who else would try so hard on someone so fucking worthless
is some kind of war proposal
that no longer works on me
What I want is a permanent figure
I want a marker here to separate
The Time Before from The Time Now
One ivied-over angel
for a woman with no known name & no known history
A monument for the disappearance of X
for the opening of a deep well in which I would tread water
for the blood to tide
for the trees to fall
for 100 years of winter
II: GIRL SAINTS
To assess the damage is a dangerous act.
—CHERRÍE MORAGA