Chapters (54)
- Cover
- BRUTE
- BRUTE
- Copyright
- Dedication
- BRUTE
- I: MY HISTORY AS
- MY HISTORY AS
- BRUTE STRENGTH
- IT’S IMPOSSIBLE TO KEEP WHITE MOTHS
- I HAVE READ THE WHOLE MOON
- ELEGY WITHOUT A SINGLE TREE I CAN SAVE
- IN MARCH WHEN YOU TELL ME YOU DON’T
- [IN DEFEAT I WAS PERFECT]
- ELEGY WITH A SHIT-BROWN RIVER RUNNING THROUGH IT
- PHILADELPHIA
- THE BRUTE / BRUTE HEART
- II: GIRL SAINTS
- GIRL SAINTS
- DEAR KATIE
- ELEGY WITH FEATHERS
- DEAR RUTH
- [IT WASN’T ABOUT LOVE]
- ELEGY WITH SYMPTOMS
- INDICTMENT
- LETTER TO S, HOSPITAL
- RULES FOR A BODY COMING OUT OF WATER
- DEAR EMILY
- III: CIRCLE
- AUBADE WITH BOUNDARIES
- FOUR HAWKS
- HOW TO MEND A FAUCET DRIPPING THREAD
- ELEGY WITH BLACK SMOKE
- [FOR DAYS I WAS SILENT]
- ELEGY FOR R
- [REMARKABLE THE LITTER OF BIRDS]
- SELF-PORTRAIT WITH HAWK & ARMADA
- MARCH IS MARCH
- THANK YOU WHEN I’M AN AXE
- IV: BRIGHT LANDSCAPE
- NO, I DO NOT WANT TO CONNECT WITH YOU ON LINKEDIN
- CLEF
- BRUTE FORCE
- ELEGY WITH SYMPATHY
- AUBADE WITH ATTENTION TO PATHOS
- II.
- III.
- IV.
- V.
- FIGURE OF WOMAN COMING OUT OF A WALL
- ELEGY WITH RABBITS
- [EURYDICE]
- ACKNOWLEDGMENTS
- About the Author
floodwater mold,
the traps he set
wire by hook.
You waited for hail,
a plague of swollen fish
to sting his mouth
before you slapped him,
before he told you
You’re the one
who ruined your life.
You knew
all the reasons,
the ledgers, the birds
caught in windows,
your hands flaking rust—
tin girl clutching what,
holding what
to hide your nakedness?
Give her up now, that girl
who can’t be you,
who can’t be anyone
flung over his bed
like a sheet.
III: CIRCLE
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.
—SYLVIA PLATH
AUBADE WITH BOUNDARIES
You think you can choose to remember our story
however you want it. That you can run up your flag
& say True Love Lost & we’re even.
Even the whiskey, even the salt we licked from the table
won’t return us to our roles of wanted & wanting.
In an argument, it is better to be drunk than to be right.
When you screamed at me You don’t know everything about me
there was snow melting on my hair;
we were blackout drunk in a ladies’ toilet.
Black sharpie under the mirror commanded me
UNFUCK YOUR HOLE LIFE.
I couldn’t stop drying my hands. I was saying I’m sorry
but my mouth was obsessed with the word precedent.
Girls are taught that adage early: To permit it gives permission.
How many implements of shame should I hold against
myself? Blight, motherfucker,
is the introduction of a bruise down one thigh.
Now I’ve learned to say remember like memory is not
the axis on which the world shifts
& interplanetary garbage is not, like, just drifting.
Go back & go back & go back to the beginning is useless.
I can’t remember the chemicals for choking roaches
& the roaches are everywhere.
Orange light slides over the railyard
where I watch the workers circle the tracks.
They replace one empty traincar with another.
FOUR HAWKS
circle the same mile of Indiana where I force myself to look
at every dead deer on the road, as if that braces me, as if I believe
it will protect me from losing anything good.
I can’t stop dreaming I’m hiding
my own prints in the snow, convinced
my mouth is a metal trap, a part of it, apart
from you, & when you pull me awake
it’s because I’m lining my body with burrs,
because I’m antlers & talons & I know
the smell of cedar is home, is a ring of sky
I love, but I can’t take it when
you say Only deer, only hawks.
Why is there nothing wild in you
to explain it, nothing killing; why
am I the chased thing horrified
to overtake myself in the brush I wonder &
if a deer darts across this road & the dead don’t
take it, don’t the dead wait, don’t I know,