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Chapters (44)
  1. Cover
  2. Dedication
  3. I.
  4. Blueprint
  5. On Seeing and Being Seen
  6. Two Girls Bathing
  7. Marigolds of Fire
  8. Labor
  9. Poem After Betye Saar’s The Liberation of Aunt Jemima
  10. Diamondback
  11. After the __________, I yearned to be reckless. To smash
  12. Detail from “Poem After Betye Saar’s The Liberation of Aunt Jemima”
  13. Primordial Mirror
  14. Le Sacre du printemps
  15. After the __________, I had the urge to dance
  16. II.
  17. She Said
  18. III.
  19. Posing Nude
  20. Burying Seeds
  21. At the Fish House
  22. Why I Left the Garden
  23. After the __________, I mothered my mother,
  24. Facing Off
  25. After the __________, time turned like a mood ring.
  26. Resembling Flowers Resembling Weeds
  27. Of Being in Motion
  28. After the laughter subsided the crying kept after we held hands
  29. Heaven as Olympic Spa
  30. IV.
  31. Bluest Nude
  32. Bathers with a Turtle
  33. Slow Drag with Branches of Pine
  34. Lotioning My Mother’s Back
  35. Aubade
  36. A Family Woven Like Night through Trees
  37. Etymology of a Mood
  38. Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself
  39. Head on Ice #5
  40. After a Year of Forgetting
  41. There is a scar near my right eye no lover ever noticed
  42. Notes
  43. Acknowledgments
  44. About the Author

AMA CODJOE is the author of Blood of the Air, winner of the Drinking Gourd Chapbook Poetry Prize. Her honors include a 2017 Rona Jaffe oundation Writer’s Award, a Creative Writing Fellowship from the National Endowment for the Arts, a NYSCA/NYFA Artist Fellowship, and a Jerome Hill Artist Fellowship. Codjoe’s work has twice appeared in the Best American Poetry series. She lives in New York City.

Milkweed Editions, an independent nonprofit publisher, gratefully acknowledges sustaining support from our Board of Directors; the Alan B. Slifka Foundation and its president, Riva Ariella Ritvo-Slifka; the Amazon Literary Partnership; the Ballard Spahr Foundation; Copper Nickel; the McKnight Foundation; the National Endowment for the Arts; the National Poetry Series; the Target Foundation; and other generous contributions from foundations, corporations, and individuals. Also, this activity is made possible by the voters of Minnesota through a Minnesota State Arts Board Operating Support grant, thanks to a legislative appropriation from the arts and cultural heritage fund. For a full listing of Milkweed Editions supporters, please visit milkweed.org.

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