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Chapters (44)
  1. Cover
  2. Dedication
  3. I.
  4. Blueprint
  5. On Seeing and Being Seen
  6. Two Girls Bathing
  7. Marigolds of Fire
  8. Labor
  9. Poem After Betye Saar’s The Liberation of Aunt Jemima
  10. Diamondback
  11. After the __________, I yearned to be reckless. To smash
  12. Detail from “Poem After Betye Saar’s The Liberation of Aunt Jemima”
  13. Primordial Mirror
  14. Le Sacre du printemps
  15. After the __________, I had the urge to dance
  16. II.
  17. She Said
  18. III.
  19. Posing Nude
  20. Burying Seeds
  21. At the Fish House
  22. Why I Left the Garden
  23. After the __________, I mothered my mother,
  24. Facing Off
  25. After the __________, time turned like a mood ring.
  26. Resembling Flowers Resembling Weeds
  27. Of Being in Motion
  28. After the laughter subsided the crying kept after we held hands
  29. Heaven as Olympic Spa
  30. IV.
  31. Bluest Nude
  32. Bathers with a Turtle
  33. Slow Drag with Branches of Pine
  34. Lotioning My Mother’s Back
  35. Aubade
  36. A Family Woven Like Night through Trees
  37. Etymology of a Mood
  38. Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself
  39. Head on Ice #5
  40. After a Year of Forgetting
  41. There is a scar near my right eye no lover ever noticed
  42. Notes
  43. Acknowledgments
  44. About the Author

I’m thirteen when my cousin teaches me

how to bathe. We carry buckets

from Auntie’s kitchen, limping

to the pendulum of water swinging.

Undressed, we stand side by side

on the concrete fl or. Carol’s hands

don’t handle like my mother’s did:

propping me in the bathtub beside

my brothers, constructing an assembly line

of our limbs, as she lathered

and polished us clean. This was before

boys became unlike girls, before

our mother, whose flesh we ate,

whose nipples we cracked,

was exiled from us. Carol instructs me

wordlessly. In deliberate movements,

she rubs across her torso’s cross

and sweeps beneath each breast.

I mimic her gestures: tipping the bucket

slightly, so as not to dirty the water.

I watch how easily she bares

her supple body. She wears her nakedness

like it’s been woven from air.

Carol points to a spot on my back.

I resist the urge to hide my chest.

Tucked inside her is what hangs

from my brothers like pockets turned

inside out. I tilt my head like a mirror,

envy the gold beads hugging her waist,

and bring the washcloth to where I’ve missed:

not knowing when and from whom

I learned to be ashamed.

Marigolds of Fire

1.

He had a caribou’s face. Once he let me

lick the sadness there. It tasted of salt

and moss-covered rocks. He grew the beard

of a mountain goat. He scaled the face

of a mountain. Lying beside him, I stared

into the face of faceless waters whose velvet

antlers cradled us. He wore a bison’s

face. Sometimes he wallowed in the dust,

tossing his head from side to side,

wearing deep grooves into the braided

rug. Mornings, he refused to betray

his dreams. He had an antelope’s face—I could

go on like this. I liked how he led me, almost

a shove, how he kissed me—mercy—how I

kissed him back: my back against the foyer

wall. Sometimes we called to each other

like birds. It wasn’t ritual—how can I

explain—he laced his fingers, made his knees

a ladder. I braced myself on his backward horns.

I climbed him then, into the tree.

2.

In the end, we were delivered back

to the strange mud from which we crawled.

The bed gave us back, unastonished,

our aching, separate bodies.

This is skin, it told us. Skin, I wrote.

I would commit its meaning to memory.

3.

A football player slaps the butt

of a passing girl. She turns

to face a silvered hand dangling

from each player’s wrist: windless

chimes. Under their helmets,

the teammates wear the same blank face.

—Can I tell you I wanted them all?

4.

In the beginning, there was blood or the threat

of blood. Formed from clay, we sought a fire

that could finish us. We sewed a garland

of marigolds. We ate good blossoms whole.

5.

He takes his coff e with cream