Chapters (44)
- Cover
- Dedication
- I.
- Blueprint
- On Seeing and Being Seen
- Two Girls Bathing
- Marigolds of Fire
- Labor
- Poem After Betye Saar’s The Liberation of Aunt Jemima
- Diamondback
- After the __________, I yearned to be reckless. To smash
- Detail from “Poem After Betye Saar’s The Liberation of Aunt Jemima”
- Primordial Mirror
- Le Sacre du printemps
- After the __________, I had the urge to dance
- II.
- She Said
- III.
- Posing Nude
- Burying Seeds
- At the Fish House
- Why I Left the Garden
- After the __________, I mothered my mother,
- Facing Off
- After the __________, time turned like a mood ring.
- Resembling Flowers Resembling Weeds
- Of Being in Motion
- After the laughter subsided the crying kept after we held hands
- Heaven as Olympic Spa
- IV.
- Bluest Nude
- Bathers with a Turtle
- Slow Drag with Branches of Pine
- Lotioning My Mother’s Back
- Aubade
- A Family Woven Like Night through Trees
- Etymology of a Mood
- Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself
- Head on Ice #5
- After a Year of Forgetting
- There is a scar near my right eye no lover ever noticed
- Notes
- Acknowledgments
- About the Author
I’m thirteen when my cousin teaches me
how to bathe. We carry buckets
from Auntie’s kitchen, limping
to the pendulum of water swinging.
Undressed, we stand side by side
on the concrete fl or. Carol’s hands
don’t handle like my mother’s did:
propping me in the bathtub beside
my brothers, constructing an assembly line
of our limbs, as she lathered
and polished us clean. This was before
boys became unlike girls, before
our mother, whose flesh we ate,
whose nipples we cracked,
was exiled from us. Carol instructs me
wordlessly. In deliberate movements,
she rubs across her torso’s cross
and sweeps beneath each breast.
I mimic her gestures: tipping the bucket
slightly, so as not to dirty the water.
I watch how easily she bares
her supple body. She wears her nakedness
like it’s been woven from air.
Carol points to a spot on my back.
I resist the urge to hide my chest.
Tucked inside her is what hangs
from my brothers like pockets turned
inside out. I tilt my head like a mirror,
envy the gold beads hugging her waist,
and bring the washcloth to where I’ve missed:
not knowing when and from whom
I learned to be ashamed.
Marigolds of Fire
1.
He had a caribou’s face. Once he let me
lick the sadness there. It tasted of salt
and moss-covered rocks. He grew the beard
of a mountain goat. He scaled the face
of a mountain. Lying beside him, I stared
into the face of faceless waters whose velvet
antlers cradled us. He wore a bison’s
face. Sometimes he wallowed in the dust,
tossing his head from side to side,
wearing deep grooves into the braided
rug. Mornings, he refused to betray
his dreams. He had an antelope’s face—I could
go on like this. I liked how he led me, almost
a shove, how he kissed me—mercy—how I
kissed him back: my back against the foyer
wall. Sometimes we called to each other
like birds. It wasn’t ritual—how can I
explain—he laced his fingers, made his knees
a ladder. I braced myself on his backward horns.
I climbed him then, into the tree.
2.
In the end, we were delivered back
to the strange mud from which we crawled.
The bed gave us back, unastonished,
our aching, separate bodies.
This is skin, it told us. Skin, I wrote.
I would commit its meaning to memory.
3.
A football player slaps the butt
of a passing girl. She turns
to face a silvered hand dangling
from each player’s wrist: windless
chimes. Under their helmets,
the teammates wear the same blank face.
—Can I tell you I wanted them all?
4.
In the beginning, there was blood or the threat
of blood. Formed from clay, we sought a fire
that could finish us. We sewed a garland
of marigolds. We ate good blossoms whole.
5.
He takes his coff e with cream