Chapters (44)
- Cover
- Dedication
- I.
- Blueprint
- On Seeing and Being Seen
- Two Girls Bathing
- Marigolds of Fire
- Labor
- Poem After Betye Saar’s The Liberation of Aunt Jemima
- Diamondback
- After the __________, I yearned to be reckless. To smash
- Detail from “Poem After Betye Saar’s The Liberation of Aunt Jemima”
- Primordial Mirror
- Le Sacre du printemps
- After the __________, I had the urge to dance
- II.
- She Said
- III.
- Posing Nude
- Burying Seeds
- At the Fish House
- Why I Left the Garden
- After the __________, I mothered my mother,
- Facing Off
- After the __________, time turned like a mood ring.
- Resembling Flowers Resembling Weeds
- Of Being in Motion
- After the laughter subsided the crying kept after we held hands
- Heaven as Olympic Spa
- IV.
- Bluest Nude
- Bathers with a Turtle
- Slow Drag with Branches of Pine
- Lotioning My Mother’s Back
- Aubade
- A Family Woven Like Night through Trees
- Etymology of a Mood
- Poem After an Iteration of a Painting by Lynette Yiadom-Boakye, Destroyed by the Artist Herself
- Head on Ice #5
- After a Year of Forgetting
- There is a scar near my right eye no lover ever noticed
- Notes
- Acknowledgments
- About the Author
we’re ashore. Coleman drifted to sleep
on the heated jade fl or. Clasping
my spa-provided robe, I lay on my side
beside her. Do the dead
dream? I wondered to myself.
Wrong question, Coleman muttered.
I remembered sleeping beside my mother,
touching her nightgown lightly,
as if a gesture could restore the cord
that, in the beginning, tethered us. As if
I smelled her death in the satin scarf
keeping the plastic curlers in place,
or in the Vaseline glossing her arms.
In childhood, I pined for my mother
though she was there.
Here, in the afterlife, I had no mind
to search for her. I was freed
from a loss that haunted me
even before it occurred.
Gwendolyn Brooks hummed a wordless
song that stripped me of all longing.
I untied the robe’s stiff elt
and walked amongst the nude women,
my skin brushed smooth and silent.
I was ordinary and motherless.
Because I was not alone,
my nakedness felt unremarkable.
I didn’t miss my mother—
I didn’t miss missing her.
IV.
INTERVIEWER:
I have one last question: Who is in that mirror?
MICKALENE THOMAS:
It’s always me. Sometimes it’s also my mother,
my grandmother, or my great-grandmother.
Sometimes it’s a person I’ve never seen before,
sometimes it’s the person I want to be …
or someone I haven’t become yet.
Bluest Nude
1.
When my mother was pregnant, she drove
every night to the Gulf of Mexico.
Leaving her keys and a towel on the shore,
she waded into the surf. Floating
naked, on her back, turquoise waves
hemming her ears, she allowed
the water to do the carrying. It isn’t
true. My mother lived hours inland
and her doctor prescribed bed rest. I want her
to be weightless, belly up and moon-lit
or filling a bathtub with hot water and stepping
gingerly, so as not to slip, easing herself
into the cramped tub, rimmed
with dirt from her husband and son,
soaking for as many minutes as she could,
savoring the water as it turned cold.
2.
In the news, there was another
incident … If I describe how
the officer treated
the young woman’s body,
I am also describing
the color of her body.
Let me refuse simile.
I do not wish to write it.
3.
In the fl wer of my body—
blossoms belonging,
at last,
to me,
sovereign
place, where I am no one
but myself: peony and cracked vase,
weeping beech and spiraled shell,
siren, matron, Jezebel—
a rush of bees enters me,
and I am not stung;
petals unfold in night’s
bluest hymn.
4.
The blue swimming pool. The blue
in a record’s groove, revolving.
The pink hydrangea turned
powder blue. Glory-of-the-snow
blue. Blue-black blue. The blue
of a bruise. Wild blueberry
blue. The blue you pick. The blue
you choose. The blue that bucks us
like a bull. The blue bowl full
of lilacs. The blue that falls