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Contents ( 64)
  1. PART ONE
  2. ONE
  3. TWO
  4. INTERLUDE
  5. THREE
  6. FOUR
  7. INTERLUDE
  8. FIVE
  9. SIX
  10. SEVEN
  11. INTERLUDE
  12. EIGHT
  13. NINE
  14. TEN
  15. ELEVEN
  16. INTERLUDE
  17. TWELVE
  18. PART TWO
  19. THIRTEEN
  20. FOURTEEN
  21. INTERLUDE
  22. FIFTEEN
  23. SIXTEEN
  24. SEVENTEEN
  25. EIGHTEEN
  26. NINETEEN
  27. INTERLUDE
  28. TWENTY
  29. INTERLUDE
  30. TWENTY-ONE
  31. INTERLUDE
  32. TWENTY-TWO
  33. INTERLUDE
  34. TWENTY-THREE
  35. PART THREE
  36. TWENTY-FOUR
  37. INTERLUDE
  38. TWENTY-FIVE
  39. TWENTY-SIX
  40. INTERLUDE
  41. TWENTY-SEVEN
  42. TWENTY-EIGHT
  43. INTERLUDE
  44. TWENTY-NINE
  45. THIRTY
  46. INTERLUDE
  47. THIRTY-ONE
  48. INTERLUDE
  49. THIRTY-TWO
  50. INTERLUDE
  51. THIRTY-THREE
  52. INTERLUDE
  53. THIRTY-FOUR
  54. THIRTY-FIVE
  55. THIRTY-SIX
  56. THIRTY-SEVEN
  57. THIRTY-EIGHT
  58. THIRTY-NINE
  59. FORTY
  60. INTERLUDE
  61. FORTY-ONE
  62. About the Author
  63. Acknowledgments
  64. CHUCK WENDIG in conversation with Adam Christopher

Make the pain go away.

The words echo.

Harriet smiles and retreats from the room, softly closing the door behind her.

The gun sits on Miriam's chest like a boat anchor.

Her hand – numb, feeling like a giant pillow – flops up onto her chest and feels for the weapon. She tries to curl her finger around the trigger, but it's hard, too hard for such a simple action. Instead, the finger lies across the trigger guard, a worm on a sunbaked road.

It's over, she thinks.

Louis is dead soon. She can't see the time, but she can feel it in her every thundering pulse-beat that the hour is nigh.

The diary is done.

She's been privy to so many deaths.

Why not her own?

This is her power. This is what she can take from fate. She can take her own life in her own hands, snatch it out of destiny's grip.

Her finger curls around the trigger.

Her mother's voice from the dream reaches her, floating to her like a distant song carried on a slow breeze:

"And thine eye shall not pity, but life shall go for life, eye for eye, tooth for tooth, hand for hand, foot for foot."

She hoists the gun.

Harriet listens, ear pressed tightly to the door.

She hears the stupid girl moving around, slow and sluggish. The brush of her arm against the floor. A moan. The faint rattle of the pistol's mechanisms in an unsteady grip.

Harriet smiles.

This really will be her crowning moment.

She's made people hurt before, but not like this.

Part of her feels bad. That strikes her as disturbing. Yes, she felt some sympathy toward this girl, but guilt? She hasn't felt a pang of guilt since… Well, when was the last pang of guilt? Has she ever had one?

A sour feeling strikes her gut. Guilt. No use for that.

A sound interrupts the tiny song of remorse inside her: the sound of the gun's hammer being pulled back.

Good girl, Harriet thinks. It makes sense. Pulling the hammer back is easier than just using the trigger. The girl's been worked over. Probably barely has the strength.

She'll hardly have to lift the pistol. Just a pivot, a counterclockwise turn until the barrel is up under her chin, and then –

Right on cue, the gun goes off.

Bang.

Harriet's smile broadens.

As the pistol fires the door shudders – probably the girl's leg kicking out. Soon will come the awful odor of voided bowels, a smell that is only pleasant due to the associations Harriet has with it, really.

Harriet takes a step away from the door and feels a sharp pain in her head.

She staggers, almost falls, when reaching for the doorknob.

She tries to ask aloud, "Why is my shoulder wet?"

But the words don't form. They can't. Her mouth won't response to her brain's wishes.

Harriet smells something like burning hair.

A small 'o' sits in the middle of the door. Smoke drifts up through the pencil-sized hole.